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Douglas Nickel American Photographs Revisited

...... Furthermore, as Nickel points out, Evans photography is not solely about aesthetics. Aesthetics and subject matter both inform the meaning behind the photograph, which is frequently imbued with politics. The photographers politics, the editors politics, and the viewers politics merge to create a form of dialogue. One of the reasons why Evans work is historiography is because of its ability to stimulate dialogue decades after American Photographs was published. The controversies associated with Evans and his work provide supplementary context for the photographs, showing how political views and worldviews shift and change with each generation. The way Evans work is received in the 21st century is undoubtedly different than the way it was received when he had his camera in hand
The photographers personal perspective emerges in each shot, both through his or her composition and other aesthetics and also through the choice of subject matter. By choosing Americana and scenes from daily life in early 20th century America, Evans illustrated his affection for the country, its history, and people. Evans also captured contradictory elements in American society related to the income disparity and widespread unemployment that worsened with the Great Depression. He could have chosen to photograph nature