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Franz Marc Little Mountain
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Franz Marc Little Mountain Goats
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In 1911 Marc found himself ready to embark on the series of paintings of animals which have since been the cornerstone of his reputation. And in December, after a split in the Neue Kuenstlervereinigung, organized the first Blaue Reiter (Blue Rider) exhibitionIn 1913 he took an important role in selecting and hanging Der Sturm's First Autumn Salon in Berlin, and noted how many of the exhibitors were veering towards abstractionBy the spring Of 1914 Marc's own work had become virtually abstract, until his life was cut short by the war (Lucie-Smith 1999). Up to his death, Marc continued to write treatises upon the philosophy of art. By the time he composed The Little Mountain Goats, his work had become less about beauty and color alone and had been grounded in a deeper fascination with the purpose of arts
The Chagall-like pastels, the abstraction, and the merging of colors in a work that is at once compelling, but has no clear focal point in The Little Mountain Goats hints at what might have been, had Marc lived. Different blurred faces of goats haunt the work, but the goats are not assembled realistically at a fixed point in space and time
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