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Kandinsky an analisys of the painting who s afraid of yellow red and blue in context with his writings

...... This interpretation is borne out by the paintings indistinct division into two halves. These halves can, very loosely, be defined as yellow and blue, with the former on the left side and the latter on the right. Neither of these halves are consistent in their color and shading; there are elements of blue, red, and yellow throughout the entire painting. But yellow definitely dominates the left half of the painting, whereas blues and purples reign supreme on the right-hand side. In no way should this division be considered mere happenstance or artistic whim; Kandinsky considered himself as a great teacher...heralding the emergence of a new consciousness, which included defining such things as which colour most resembles a canary song and the most appropriate colours for the square, triangle, and circle.[5] Clearly, Kandinskys division of the painting into the two halves of color is intentional, but the question of exactly what that intent is still remains
Though he sought answers to such questions as the most appropriate or representative colors, Kandinsky never fully arrived at definite conclusions in these areas, or at least he was never known to have expounded such conclusions. Common interpretation of color symbolism and overall mood