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The Greek Lovers by Henry
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The Greek Lovers by Henry Peters Gray
.... or early adulthood. The lute is held completely vertical by the woman, whose left hand grips the neck of the instrument just below the sharp angle the precedes the tuning keys. Her right hand drifts near the base of the lute, where the instrument would be played, as if she has either just stopped playing or is about to start. Her head is coked to the side and her eyes raised to the mans face. He, on the other hand, has his eyes cast down. Between them in the distance can be seen a building of some sort and a rough, pre-mountainous and verdant landscape. The blue sky and white clouds both seem to be transitioning into something darker and more ominous, which is matched by the darkness of the tree against which the male figure leans.
The perspective of this painting appears almost atmospheric as opposed to linear--there being no vanishing point, the only things that distinguish foreground from background are size and color. The two lovers appear to be as much a part of their world as anything else in the painting. Their size, however, makes them clearly foregrounded and the focus of the painting. Their color,
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