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Visual analysis of two works

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Visual analysis of two works of art and design from Metropolitan museum after 1350 s

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Document Type: Term Paper
General Topic: Art - Famous Works
Citation Style: Chicago
School Level: College Sophomore (2nd year)
Sources: 0
Views: 76
Words: 1080
Pages: 3
Paper #: 94189782

...... The colors of the womans skin and her nearly transparent bodice, her realistically non-pneumatic breasts, show a sympathetic, warm attitude to Celia on the part of the artist, as if the artist sees the woman as something that is not merely a subject of art. This shines through even though her posture seems somewhat unnatural and contrived. The picture shows Celia as clearly poised, as she leans against something in a rather stiff manner and gazes directly at the viewer with a gentle, calm gaze
The lines of the work are soft, showing an appreciation for the womans femininity in a natural and unforced manner. The focus of the painting is completely on the woman, not on the artists composition of the space in terms of line and color. Celia is clearly a woman, not a jumble of colors. Only the angularity of the womans corset and the nearby chest of drawers on which she leans suggests that the work was arranged in any degree. The overall impression of the work is one of affection for the feminine, rather displeasure. There is clear sensual appreciation on the part of the artist, given the womans slightly exposed breasts and her

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