Comparison Between Count Dracula and Hannibal Lector dissertation

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Count Dracula and Hanibal Lector

Program Authorized

to Offer Degree

The Analysis of Count Dracula and Hanibal Lector

Identities of Count Dracula and Hannibal

Supernatural Powers

Gender and Sexuality


The relation between Dracula and his victims

Hannibal Lecter


Gender and Sexuality

Criminal Mind of Hannibal: Justification of Diagnosis

Hannibal's Relations with his Victims

The Power of Horror


Silence of the Lambs

Count Dracula

Van Helsing




Hannibal Lecter






Deployment- the arms and equipment with which a military unit or military apparatus is supplied.

Sentence: "I suggest that we add Winchesters to our deployment." (324).

Dexterously- dexterous; nimble; skillful; clever

Sentence: "He really continued then, quickly and dexterously, to carry out his intent." (128).

Disquietude - the state of uneasiness; discomfort.

Sentence: "…it was not right in my heart to believe that I was really hoping to keep anything from her and so instigated her to be disquietude." (266).

4. Projection - a bulging rim, collar, or ring on a shaft, pipe, machine housing, etc., cast or shaped to provide extra strength, difficulty, or backup area, or to deliver a residence for the accessory of other objects.

Sentence: "Van Helsing enforced back the leaden projection, and we all really started look in and withdrew." (208).

5. Ptomaines -- poisonous alkaloid substances that are produced from the putrefaction of animal and vegetable matter.

Sentence: "…in an age when the existence of ptomaines is a mystery we should not wonder at anything!" (322)


The author wishes to express sincere appreciation to ____and ____ for their assistance in the preparation of this manuscript. In addition, special thanks to ____ whose familiarity with the needs and ideas of the class was helpful during the early programming phase of this undertaking. Thanks also to the members of the school council for their valuable input.


Many of the critics have observed comparisons that are among Hannibal Lecter and Dracula, a linking which Harris compounded in Hannibal Rising by creating Lecter, like Dracula, an Eastern European Count. Each characters share customs of malicious biting and a threateningly seductive attraction. A lot of Lecter's physical structures, for instance his burgundy tinted looking eyes which had sparked red when uncovered to light, his widow's top, and important wits (particularly smell), are also features of Dracula. This paper will discuss this contrast and differences of two men that shared the one quality that made then alike, living the life of killers and the things that motivated them to feed this terror.

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Many people are familiar with the novel Dracula, by Bram Stoker and The Silence of the Lambs by Thomas Harris. Both are typically referred to as a horror stories that are definite to give anyone who reads them a good scare. Nevertheless, the two novels had two different flavors of horror for the readers. For instance, Bram Stoker did not just set out to provide the Victorian audience with some thrill ride. His goal was to inflict horror in every individual. By doing this the author implemented a lot of gory and gruesome themes. A lot of themes and symbols, mainly those of the leading antagonist Dracula, were shown into the novel in order to sort of teach a little lesson to the readers. Strangely enough, Dracula also does a good job with resembling other forces of evil throughout the novel. Now, The Silence of the Lambs on the other hand has a different direction than Bram Stroker Dracula. This novel is said to fall up under the genre of psychological horror. The stories that belong up under the category of horror comprise of a few serious essentials: a villain or one that is seen as extremely evil in order to generate an initial story line. The foil in the story is the ensuing essential; a foil is basically reflected as an individual who endeavors to stop the villain from going through with the evil ploy or plan. In both novels, they do a good job with depicting the two fundamentals that are naturally going to turn into some kind of conflict that is always among the two persons or groups and then from this brawl -- suspense, the last component is put in there in the Dracula and Hannibal novels. Suspense in both novels is extremely significant in order to preserve the reader involved and to reserve the story line in enduring to the end. When psychology is put into the story, as in the situation of the Silence of the Lambs, the meaning of horror is altered totally form what is in the Dracula novel. There are however still those few important basics above but there is also a small number of more that is being added in the novels. In the Dracula novel, the author is able to display various forms of elements of horror that involve the symbols of supernatural and unlike Silence of the Lambs, has no psychology involved. For example, in Bram Stokers Dracula, He has superhuman strength which, according to Van Helsing, is equivalent to that of 20 strong men. Being undead, he is immune to conventional means of attack. Obviously these foils are not completely drawn across the whole novel. Some variances do occur, but the equivalents that are clear to bring attention to a cultures impression of a monster or threatening force to order.

In Silence of the Lambs, it is different of course because the story is psychological. The story now gives a lot of attention to the mind and how it functions, and there is unquestionably no meaning for that. Of course that is a far stretch from Dracula because the story focuses more on the paranormal of situations and not the natural thing. Dracula in the novel is basically seen as a supernatural dangerous killer where as Hannibal is seen as a natural born killer. In Silence of the Lambs, the novel depicts how the mind and it's workings are an enigmatic to us and that mystery of the mind brings to the suspense and consequently the knowledge of psychology and horror are gifted to go together and turn into one. Dracula is considered the perfect symbol of otherness for the Victorian age. Hannibal in the Silence of the Lambs is seen as perfect representation of distinctiveness for the modern age. Dracula comes from Transylvania in the East, which was an area that is full of strange beliefs and superstitions, whereas Hannibal comes from a well-educated background. Even though the Romanians are founded in Christianity, which is where Dracula had his home, the Christians of the Victorian era did not see this as a contemporary form of the faith, but rather, as a more primitive structure that was primitive. In silence of Lambs religion played no background of the novel at all. In the novel, Dracula's does not speak the best English, and Dracula himself does admit to this fault and has a fear of being recognized as a complete stranger. In Silence of the lambs, Hannibal is extremely talkative and manipulating with no problems with articulating his points. Dracula's physical features were even far from what was considered attracted in England. Hannibal physical features will normal, very average looking killer. Both novels depict the profile of two savage killers, one more supernatural and the other natural, however, both set out slay. With that said, this thesis will give an analysis of Count Dracula and Hannibal Lector from their identities and the similarities and difference of those two main characters.

Chapter 1

Identities of Count Dracula and Hanbial

Both Hannibal and Dracula were obviously very different in their personalities. They each had specific qualities that set them apart as killers. Each had their own unique identities that they flourished in as characters.

Count Dracula

Supernatural Powers

A lot of Count Dracula supernatural powers derive from the case that he is supposed to be the character of darkness that has been able to scare millions of individuals, which has taken the legend of vampirism to a level that is unpatrolled in contemporary arts and of any novel ever read. Dracula (also who can also be recognized as Nospheratu) sums the fear of people by using his bloody supernatural vampire charm. In the novel, Count Dracula is of course a very fictional aristocratic vampire that comes from the country of Transylvania. A master of experimentation, even though his use of black magic is hardly his strong points. The Count turned into this creature after he had died and lived for roughly several centuries in his fortress or castle where he lived his days with his three brides. His castle is believed to be Bran's Castle because it has narrow corridors that establish a mysterious maze of corners and clandestine chambers. Dracula's presence in the novel was way more different than the typical vampire examples in Eastern Europe folktale. As an alternative of a terrifying monster, he was a compelling handsome gentleman.

Count Dracula…[continue]

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