Fiction Literature Essay

PAGES
4
WORDS
1235
Cite

Woman Hollering Creek The real-life Woman Hollering Creek is a small waterway located in Central Texas. It is supposed that the name is a loose translation of the Spanish La Llorana or "weeping woman." This is a folktale of the area wherein a woman drowns her children in order to be with the man that she loves and yet he rejects her. Distraught over all she has lost, the woman (most ofthen called Maria) kills herself. At the gates, the woman is not allowed to go through them because she is without her children. Unable to enter Heaven, the weeping woman is forced to haunt the living world, searching everywhere for her children, for she will not be allowed access to Heaven until she locates them. Sandra Cisneros short story "Woman Hollering Creek" is based upon this ancient legend. The story is about a young woman named Cle-filas. She is a victim of an abusive relationship and yet does not have the strength to leave on her own. Through the course of the story, she changes from the stereotypical Hispanic housewife with no power who obeys her machismo husband blindly and evolves into a more self-sufficient individual. Having said that, Cle-filas still requires the assistance of other people to free her from her bondage; she is not strong enough to do so on her own much like the weeping woman of the story who cannot save her soul.

As a traditional Mexican woman whose lot in life is to obey the dominant male figure, Cle-filas begins the story by giving in to her father's wishes. Her father desires that she marry a man of his choosing. Whether or not she desires to take part in the union is of no consequence to either the father or to the suitor. Cle-filas is well aware of what her position is in this society...

...

Cle-filas' father, Don Seraf-n, gives her to Juan Pedro Mart-nez Sanchez. It is said that the father knew when he did this that she would be unbearably unhappy. The union was based on financial agreement, not any expectation of happiness on the part of his daughter. Don Serafin predicts that she would "dream of returning to the chores that never ended, six good-for-nothing brothers, and one old man's complaints" (Cisneros 1). Don Serain knows that the life he is providing for his daughter will be a grueling and miserable one. Still, none of these things are taken into consideration about the union. Her father had promised that he would never abandon his child, but that promise did not come to anything. This is the only thing that Cle-filas seems to mourn, the loss of the belief that she could rely on her father. His broken promise is symbolic of a broken innocence within the woman.
When this man she has married, Juan Pedro Martinez Sanchez, becomes unfaithful and eventually abusive, she has no way out of her situation. Even though she is disgusted by her husband's actions, there is nothing she can do about her predicament. The first time she is struck by her husband in an act of violence, she cannot comprehend what has happened to her. "When it happened the first time, when they were barely man and wife, she had been so stunned, it left her speechless, motionless, numb. She had done nothing but reach up to the heat on her mouth and stare at the blood on her hand as if even then she didn't understand" (Cisneros 2). The injury that has been done to her cannot be comprehended in the grander scheme of her…

Sources Used in Documents:

Works Cited

Cisneros, Sandra (1991), Woman Hollering Creek and Other Stories, New York: Random House


Cite this Document:

"Fiction Literature" (2011, April 29) Retrieved April 19, 2024, from
https://www.paperdue.com/essay/fiction-literature-119386

"Fiction Literature" 29 April 2011. Web.19 April. 2024. <
https://www.paperdue.com/essay/fiction-literature-119386>

"Fiction Literature", 29 April 2011, Accessed.19 April. 2024,
https://www.paperdue.com/essay/fiction-literature-119386

Related Documents

Fiction's Come a Long Way, Baby The development of fiction from its nascent stages until today's contemporary works is a storied one. Many features mark contemporary fiction and differentiate it from the classics of the 17th, 18th and 19th centuries: For one, modern writers use different perspectives to narrate: In some works, the narrator switches from third-person omniscient to first person, and in some contemporary works, even the challenging second-person. Experimentation

Fiction Messenger Economic Injustice in the Fictional Works of Dickens and Gaskell In his text on human commercial practices and economic behaviors, author James Black diverges from many of the dryer and less nuanced textual considerations of socioeconomic dynamics. He does so by couching his discussion in frequent divergences into iconic and modern works of fiction. These add a humanitarian consideration to many of his discussion points, helping to provide more complex

Fiction Andre Dubus -- the
PAGES 6 WORDS 1570

Warfare can change someone in a matter of days, as children were apparently transformed consequent to coming across conditions in Greece and as a result of the fact that their innocence and their child natures were virtually taken away from them once they were recruited. Even with the fact that Fritz struggled to stay a child, he did not manage to do so, as the Nazi system had changed

Fiction "The Fall of The House of Usher" is a very interesting story. It talks of a man who received a letter from his friend Roderick Usher asking him to visit. The letter talks of the torture and torment Roderick was going through and is a plea for help. In the letter, Roderick explains his distress over his mental illness and the state that he is suffering from. The man was

Fiction has the unique attribute of being able to be relatable to a person regardless of its implications to real life. No matter how bizarre a plot or character might be, it is the meaning behind everything that is obvious that makes the interpretation of stories unique and applicable to the human experience. This is greatly demonstrated in a collection of quotations from a variety of stories that all share

The nineteenth- (and early twentieth- ) century author and critic Henry James had a very different approach to understanding and explaining fiction as it was to be understood in both a scholarly and an artistic sense. Fiction and its authors have to take themselves with a certain sense of seriousness of purpose, in James' view, but with this cam a certain detachment (James 1884). True fiction, or at least good