103 results for "Movie Essays"

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Film Analysis Of Double Indemnity Essay

Words: 2445 Length: 9 Pages Document Type: Essay Paper #: 77490191

Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity (1944), which shocked Hollywood in the year of its release and was just about banned by the authorities, may be considered as the archetype for film noir, even though some critics trace the origins back to such rough but significantly less pessimistic films as This Gun for Hire, High Sierra, the Maltese Falcon, and Stranger on the Third Floor. Modified by Wilder and Raymond Chandler from a James M. Cain novel, Double Indemnity is the squalid story of a Los Angeles insurance agent (Fred MacMurray) sexually ensnared by a client's wife into killing off her husband for his death reimbursement; it has been declared a film without a solitary trace of compassion or love.

Without a doubt, these are characters remarkably missing from all films noir, as conceivably they seemed not present from the postwar America which created them. Like Double Indemnity, these films succeeded upon the unembellished interpretation of greed, desire, and unkindness because their fundamental theme was the profundity of human immorality and the absolutely unheroic character of human beings -- lessons that were almost not taught but without doubt re-emphasized by the one of its kind horrors of World War II. Nearly everyone of the dark films of the late forties take the structure of crime melodramas for the reason that (as Dostoevsky and Dickens recognize) the devices of crime and criminal detection afford an ideal metaphor for dishonesty that cuts across conformist moral classes. These films are frequently set in southern California -- the geographical archetype for a social order in which the breach between anticipation and reality is determined through mass hallucination. The central characters are regularly unfeeling antiheroes who chase their foundation designs or basically drift aimlessly from side to side in sinister night worlds of the metropolitan American harsh world, but they are even more frequently decent people trapped in traps set for them by a crooked social order. In this…… [Read More]

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Film Analysis From A Design Perspective Reading Essay

Words: 1820 Length: 4 Pages Document Type: Essay Paper #: 61877250

Film Analysis from a Design Perspective: Reading Raging Bull

Elements of Design

The focus of this paper is a pivotal scene from the film Raging Bull, starring Robert DeNiro as real life middleweight boxer, Jake La Motta. Jake's emotional status is reflected in multiple aspects of the film production, such as his physique and costuming, the cinematography, the editing, and the direction. Film communicates the narrative's physical reality and psychological reality with meticulous attention and applied creativity to all of the aspects of filmmaking. The efficacy and condensation of the communicative ability of film is one of the numerous reasons why humans have loved the cinema for over a century. The paper analyzes the scene wherein Jake is locked in prison from a design perspective.

Film Analysis from a Design Perspective: Reading Raging Bull

On December 19, 1980, Raging Bull, directed by Martin Scorcese, was released to the international public. The feature film is shot in black and white, giving it a classical aesthetic and historical feel. The film, after all, is based on actual events in the life of Jake La Motta, a moderately successful middleweight boxer in the 1940s and 1950s. The film is a story of a sadomasochist boxer who rises to the top of the middleweight boxing world and falls sharply and hard. It is a story of how an imperfect man turns his frustrations and violent tendencies to a middleweight boxing championship during the World War II era. La Motta hails from the Bronx, a borough in New York City with a reputation for being a rough part of town. The screenplay is an adaptation of the book written by La Motta as a limited autobiography. The focus of analysis in this paper is of Jake's entrance into his prison cell for the first time. The paper asserts that with the assistance of multiple aspects of the film production, the scene is a success,…… [Read More]

Carroll, N., & Choi, J. (ed.) (2006) Philosophy of Film and Motion Pictures: An Anthology. Blackwell Publishing, Malden, MA.

LoBrutto, V. (2005) Becoming Film Literate -- The Art and Craft of Motion Pictures. Greenwood Publishing Group, Westport, CA.
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Film Discussion Early View Of Essay

Words: 1676 Length: 5 Pages Document Type: Essay Paper #: 87683840

The natural world allows us to show of more of our individual talents, whereas the urban landscape seems to only allow us to show what is needed of us in terms of industry.

Modern Times echoes these themes and images of the early representation of the modern city. However, the film is much more comedic, but with the same message. For example, the factory scene shows the same monotony. It is comedic, yet it is also representing the dehumanizing of urban workers because of the extreme technological advances (Hicks 2007). This film represents a strange sense of automation taking the life and quality out of production within modern urban environments. There is the incessant need to be faster, and Chaplin's character can't even take a short break. Yet the workplace is not an ideal environment -- the fly that keeps bothering him represents the constant torture the modern worker endures during a daily shift. Still, there is a need to continue to automate processes in order to streamline production processes. The introduction of the machine that is supposed to eliminate the lunch break represents the films parody of how technology is isolating and disenfranchising the modern worker. There is a constant need to "keep ahead of your competitor" (Chaplin 1936). This forces Chaplin's character to eat corn through a device that doesn't work properly and portrays an extremely negative view of technology.

Overall, in both films, there is a sense of separation between the working class and the elite who actually own the means of production alongside a very hostile image of the modern city. Essentially, there is too much going on to really pay attention to the individuals who are most in need. Families are not surviving and the work that is available is unable to care for the families in need. There is an increasing sense of desperation within the working poor; even a meal of bananas is appreciated in such hard times within a harsh urban landscape.… [Read More]

Chaplin, Charlie. (1936). Modern Times. USA.

Hicks, Jeremy. (2007). Dziga Vertav: Defining Documentary Film I.B. Tauris.
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Film Noir Among The Various Styles Of Essay

Words: 7885 Length: 28 Pages Document Type: Essay Paper #: 18659515

Film Noir

Among the various styles of producing films, it has been observed the noir style is one that has come to be recognized for its uniqueness in characterization, camera work and striking dialogue. Film Noir of the 1940s and 50s were quite well-known for their feminine characters that were the protagonists, the femme fatale. This was most common with the French, later accepted in the United States. There might have also been reservations over these films probably because of the moral implications and repercussions that such 'dark films' would have in society.

Generally, film Noirs were characterized by the presence of a femme fatale who was the protagonist. The whole movie would revolve around this character because virtually every thing that took place in the movie would involve her (Doane, 1991).

The femme fatale was almost the complete opposite of what a heroine is. A heroine is somewhat a moral, law abiding women, and usually one on which the whole story or movie would be focused.

In contrast to the role a heroine used to play, a femme fatale was just as important because it was a role on which the film depended. Without her the film would not be able to portray the message it intended to. This is a similarity that can be drawn up between the two kinds of female protagonists. But the contrasts are also severe enough to create an abyss in the moral character in each of the two protagonists.

The femme fatale was one that controlled the movie through her alluring sexuality and achieved whatever she wanted to through her sex. This means that she used the fact that she was a female to get the opposite sex to do whatever she wanted.

Often, the sexual character of the femme fatale was exemplified in the way that she probably didn't have any other way to achieve what she wanted, other than using her sex. The hard life and hard hearts these characters had, reflected the way that they led their lives at the time of war and post war. This is reinforced by the fact…… [Read More]

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Film Theory Film And Reality Essay

Words: 3996 Length: 10 Pages Document Type: Essay Paper #: 81433729

The spectator is unwittingly sutured into a colonialist perspective. But such techniques are not inevitably colonialist in their operation. One of the innovations of Pontocorvo's Battle of Algiers is to invert the imagery of encirclement and exploit the identificatory mechanisms of cinema in behalf of the colonized rather than the colonizer (Noble, 1977).

It is from within the casbah that we see and hear the French troops and helicopters. This time it is the colonized who are encircled and menaced and with whom we identify. The sequence in which three Algerian women dress in European style in order to pass the French checkpoints is particularly effective in controverting traditional patterns through the mechanisms of cinematic identification: scale (close shots individualize the three women); off-screen sound (we hear the sexist comments as if from the women's aural perspective); and especially point-of-view editing. By the time the women plant the bombs; our identification is so complete that we are not terribly disturbed by a series of close shots of the bombs' potential victims (Mast & Kawin, 2000).

3. Theorizing Technology

During Hollywood's transition to sound, technicians' duties often seem almost evenly split between working on the set and writing theoretical treatises on sound representation. Rarely have technicians been so forthcoming with their opinions on the logic and conceptual bases of filmic construction, and even more rarely has the theoretical arena seemed so central to Hollywood filmmaking. Page after page in scientific and industry journals emphatically promote competing aesthetic models-based either on phonographic fidelity or telephonic intelligibility, but why? What function did the articulation of aesthetic norms and standards play? Far from being incidental or epiphenomenal, technicians of the period seem nearly obsessed with articulating their positions on questions of representational illusion, accuracy, propriety, and validity. Advocates of competing models of sound representation justify their nearly antithetical aesthetic allegiances in the name of the same putative standard -- a supposedly transparent "realism" -- despite the utter incompatibility of their different norms of recording and reproduction (Bordwell, 1997). Put more complexly, each…… [Read More]

Bazin, Andre. "The Myth of Total Cinema." In What is Cinema? 2 vols. Selected and Translated by Hugh Gray. Berkeley: Univ. Of California Press, 1971.

Bordwell, D. (1997). On the history of film style. Cambridge: Harvard University Press.
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Film Analysis Of The Film Essay

Words: 2707 Length: 6 Pages Document Type: Essay Paper #: 57051603

The film shows that human beings unlike the robots were way too dependent on habits and routines that make people unfocused causing people to not be able to make their own decisions (Barnes). Later on, when Wall-E ends up by accident bumps into one of the women, she understands that her attires have transformed into a different color and that she lastly opens her eyes and observes everything from a brand new perspective and the suddenly comes to the conclusion that she does not have to be totally reliant on technology.

Actually after watching the movie, it had a way of making an individual realize that there are times that a lot of people actually we do depend on technology than they do anything else. Most people do have things such as game consoles, computers, cell phones, and televisions, and these are just a few of the items. The researcher did learn that most people have a habit of listening d to what advertisements tell others are the utmost new matters to have and a lot of people actually go out and purchase these items rather quickly or right away.

Anthropomorphized Robots

Wall-E appears to be the only robot in the film that is totally anthropomorphized, even though it is unclear if the civilized facets of his "personality" are a part of his indoctrination or established over time. He spent over 700 years quarantined on earth gathering ornaments that humans had left behind and then looking at old films that showed some kind of human emotion. He is then able to record, learns, and achieves the dances the he watches in old human musicals (Barnes). The robot also started to befriend things such as a cockroach and the starts to express some kind of honest concern for its security whenever it gets zapped, crushed, or vulnerable in any kind of way.

When it comes to being anthropomorphized, WALL-E was also displaying a lot of the qualities that show human interactions and comprehension as described by many field studies by Turkle. Just like Cog, WALL-E has the capability of physical acknowledgment and continually makes eye contact. In a lot of the different scenes, WALL-E even definitely follows around EVE with his eyes out of what could be called infatuation. Just like Kismet, WALL-E utilizes articulation (Corliss). Even…… [Read More]

Ball, Sarah. " "Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man." Newsweek 23 April 2009: 12-34.

Barnes, Brooks. "Disney and Pixar: The Power of the Prenup." The New York Times 5 March 2009: 23-37.
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Film Campaign Nora Ephrons Julie Essay

Words: 1885 Length: 6 Pages Document Type: Essay Paper #: 24900038

Their decision and ability to not only highlight the portions of the film that nest exemplify this (i.e. Streep's scenes as Julia Childs) but to also tie the rest of the film into the same perspective they were hoping to entice their viewers into adopting (i.e. The worship of Childs from afar a la Powell) accomplished exactly what was needed.

The construction of the television spots used in the marketing campaign for Julie & Julia were not effective only in legitimizing the story of Julia Childs told in the film, but also helped to draw younger viewers to the film. Amy Adams is a quickly emerging yet very well-received actress, and her story in the film modernizes what would otherwise be a historical piece. Though this historicism was the main focus of the advertising campaign, the television spots also reflect and understanding that younger audiences will not necessarily be drawn to such a movie. The voice over and the scenes of Adams as Powell in a cramped, modern apartment with her scruffy-yet-handsome young husband are all meant as enticements to the younger generations of film goers, and are effective without diminishing the sense of respectfulness, quality, and focus on the Julia Childs story ("Calling" 2009; "Figuring it Out" 2009).

this might sound at least slightly ambiguous, and strangely this was an effective way to market this film. The marketing campaign left little doubt that we would be seeing a phenomenal actress -- who is herself an American institution -- portraying the equally famous and far more influential larger-than-life persona of Julia Childs, while at the same time inviting romantic-minded members of the younger generations to experience a quaint and somewhat original modern love story. These marketing efforts were only enhanced by the critical response affirming the tacit and explicit claims made in the campaign, which also had the effect of increasing the legitimacy of the film's intent and execution as exemplified by…… [Read More]

"Calling." (2009). Columbia pictures. Accessed 16 September 2009. http://www.youtube.com/watch?v=TzTpZ3gKlJo

Chang, D. (2009). "Streep unleashes her inner Child." Variety 415(10), pp. 19-22.
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Film Noir The 1945 Film Mildred Pierce Essay

Words: 1909 Length: 7 Pages Document Type: Essay Paper #: 85149850

Film Noir

The 1945 film "Mildred Pierce" is the epitome of film noir, complete with the femme fatale, theme of betrayal and hopelessness and use of flashbacks. While the 1954 "On the Waterfront" also uses the theme of betrayal and hopelessness, it breaks from the film noir genre, and rather than using flashbacks, it is told in present time and the use of the femme fatale is replaced by an unscrupulous union leader.

Both movies possess the theme of family dynamics. In "Mildred Pierce" there is the element of a mother-daughter relationship as well as a forbidden affair between Mildred's second husband and her spoiled daughter from her first marriage, Veda. Sexual tension and melodrama runs throughout the movie: between Mildred and her first husband Bert; between Bert and Maggie Biederhof; between Mildred and second husband, Monte Beragon; between Mildred and her business partner and long-time friend, Wally Fay; and between Veda and Monte. In 'On the Waterfront," the family dynamics is between the two brothers, Terry and Charley Malloy, however, the family dynamics also extends to the loyalty between the dock workers. As far as sexual relationships, there is only one and that is between Terry and Edie, the sister of a slain dock worker.

Both movies possess the element of betrayal and hopelessness. Terry adores and looks up to his older brother Charley, who works for the crooked union boss, Johnny Friendly. Terry trusts Charley in all decisions, believing that Charley has his best interests at heart and/or that Charley is smarter and knows what is best in given situations. Mildred so adores and worships her oldest daughter Veda that it destroys her relationship with her first husband and ultimately her second.

As in all film noir, betrayal, along with hopelessness, is a major theme, and "Mildred Pierce" depicts this in classic form.…… [Read More]

"On the Waterfront." Elia Kazan. Columbia pictures. 1954

"Mildred Pierce." Michael Curtiz. Warner Brothers. 1945.
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Film Prompt The Battle Of Essay

Words: 709 Length: 2 Pages Document Type: Essay Paper #: 97714726

This is important, because the director was using these individuals to show how the struggle for independence was carried out by: ordinary people who wanted to make a difference. (Johnson)

Since the film was first released in 1966, sympathy has changed dramatically. What has been happening is: the views of the FLN and their leaders are seen as heroes throughout the film. As they are representing the struggles that Algerians are going through during the independence movement. In this aspect, the movie was about the people standing up to: capitalist regimes that were exploiting many countries. (Johnson)

However, as time has went by, the use of these tactics by the FLN (mainly bombings) has changed. What has been occurring is that, this has become a common form of attack that many terrorist groups are using against innocent civilians. After the events of September 11th and the feelings associated with what happened, means that a shift has occurred in how audiences will view the film. (Johnson)

As a result, they are now looking at the movie as a genre that is highlighting how terrorism has become a common tactic of many different extremists groups. This is significant, because these kinds of changes in perceptions, means that the audience is no longer sympathetic with the FLN. Instead, they take more of a neutral standpoint by: showing how these kinds of tactics would ultimately fail at the end of the film. This is when the 10th Para would isolate and kill the leaders of the FLN. Once this took place, the uprisings in 1957 was successfully suppressed. However, a few years later a general strike would force the French to give in to the demands of the people. This is significant, because it is highlighting how terrorist tactics will fail in the long run. What will create lasting changes are ordinary people, who no longer will accept the status quo and are joining together in a form of massive protest. (Johnson)… [Read More]

Works Cited:
Johnson, Sheila. "The Battle of Algiers." Common Dreams, 2003. Web. 20 May 2011.
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Film And Television And Culture Essay

Words: 956 Length: 3 Pages Document Type: Essay Paper #: 94591562

Film And Television and Culture

One of the principal concepts that Robert Zemekis' 1994 motion picture Forrest Gump is meant to put across regards the problems that society has to deal with. Consequent to watching this film, most viewers are likely to look back and think about all of the issues in Forrest Gump's life. The fact that Tom Hanks soundly plays the character contributes to making the audience relate to him, especially considering that his emotional nature increases the overall feeling that one has while viewing the film.

Forrest Gump is a rather ordinary individual who somewhat accidentally becomes a part of a series of historic events. Having been challenged by life's hardships, he continuously strives to achieve his goals, regardless of the fact that he often comes across tough situations. His below-the-average IQ and his failure to connect with the love of his life in his early years do not prevent him from eventually marrying her and from becoming a wealthy individual.

3. Although Forrest Gump appears to be focused on the character of Forrest Gump more than it is meant to discuss historic events, one might be inclined to consider that the film is actually intended to satirize American efforts in the Vietnam War, the counterculture of the 1960s and 1970s, and the Watergate Scandal. The principal character is most probably meant to represent an individual who puts morality before everything. The fact that he is not very intelligent supports this belief, as his naive personality prevents him from ever wanting to perform unethical activities.

4. Forrest loves everyone and everything but keeps realizing that it is almost impossible for him to save the world. He gradually enters a desperate situation as Jenny leaves him, the Vietnam War requires his help, and several other matters come to affect his life…… [Read More]

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Film Journal Comparison Of Similarities Essay

Words: 409 Length: 1 Pages Document Type: Essay Paper #: 90101323

The leading lady of the film within the film is crazy, without the need for abusing any form of intoxicating substance. But the primary difference between the contemporary and the past film does not lie in any of these imperfect parallel details involved in their mutually chaotic plots, nor the minute distinctions in the minds and portrayals of stock characters. Rather, the difference lies in the way that DiCillo's style of storytelling constantly forces the audience to remain on edge, unaware if they are watching real life or the film that is being filmed -- or the director or actor's idealized dream of what the creative product should be. Thus, the later film has an added nuance about how the creative process can take over the lives of actors and directors, as well as seem absurd to individuals outside of the movie business. It also forces the viewer not simply to laugh ironically at the lives of the people before them, but to realize that both the viewer, the actors, and the people behind the set are all engaging in a kind of fantasy, whenever the process of filmmaking…… [Read More]

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Film Comparison Almodovars Prisons Can Be More Essay

Words: 2288 Length: 6 Pages Document Type: Essay Paper #: 48827955

Film Comparison

Almodovar's Prisons

Prisons can be more than a place where one is confined for what they have done. A prison can be a great number of things; a prison can be a psychological, social, emotional, or physical construct. Pedro Almodovar explores these four types of prisons in two of his films, Volver and Todo Sobre Mi Madre (All About My Mother). In both of these films, the characters find themselves held prisoner by what they keep as secret; the ramifications of these secrets sometimes force characters into seclusion, whether it is self-imposed or a result of social/cultural fears. Volver and Todo Sobre Mi Madre's narratives demonstrate the effects that these four types of prisons -- psychological, social, emotional, and physical -- have on the people that are forced into confinement.

"Almodovar is most interested in melodrama, approached from a variety of angles, some of them skewed" (Mast & Kawin, 2003, p. 529). A common link between Almodovar's films is that the narratives are centered around strong female characters. The auteur theory holds that "great movies are the work of a single creative mind" (Simon, 2010, p. 413). The auteur theory can imply that a director's works are recognizable and cohesive, as a cinematic canon, through themes or trademarks that carry from one film to the next. Volver and Todo Sobre Mi Madre can be attributed to Almodovar through the cast, theme, and characters. Almodovar is known for frequently casting Penelope Cruz in his films and the actress is cast in both films; in Volver Cruz is the film's leading female protagonist and in Todo Sobre Mi Madre she plays the role of Rosa, a nun who is forced to leave her work to have a baby. "Pedro Almodovar, the self-taught auteur, reinvented what it means to be a 'beautiful women,' capturing women as images everywhere from the monastery to the gutter. Nuns, transvestites, housewives and junkies are portrayed as luscious…… [Read More]

Almodovar, P. (Director). (2006). Volver [Motion Picture]. Spain: Sony Pictures Classics.

Amodovar, P. (Director). (1999). Todo Sobre Mi Madre [Motion Picture]. Spain: Sony Pictures Classics.