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In this story, we find this terror, especially at the end of the story when Fortunato sobers up. Montresor tells us that the cry he hears as he places the final bricks in the wall is "not the cry of a drunk man" (Poe 94). The drunk man and the crazy man are pitted against once another in this tale and there is nothing Fortunato can do when he realizes what has happened. The real terror emerges as Montresor follows through on his plan to the last detail without any hesitation.
Edgar Allan Poe allows us to realize how close to life terror actually becomes. His life was no ideal life but rather a playground for terror and death of all sorts. A young boy abandoned by both parents becomes an adult to witness death take his loved ones at much too early an age. By taking his life experiences and...
His stories reflect life with an exaggerated sense of pain, terror, and death. His tales demonstrate how art does reflect life.
Works Cited
Magistrale, Tony. American Writers. Parini, Jay. et al.New York: Charles Scribner's Sons. 2003.
Poe, Edgar Allan. "The Cask of Amontillado." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
The Masque of the Red Death." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
The Tell-tale Heart." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
Sullivan, Jack,…
Works Cited
Magistrale, Tony. American Writers. Parini, Jay. et al.New York: Charles Scribner's Sons. 2003.
Poe, Edgar Allan. "The Cask of Amontillado." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
The Masque of the Red Death." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
The Tell-tale Heart." The Complete Tales of Mystery and Imagination. Minneapolis: Amaranth Press. 1981.
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