In 1968, with the help of his long-time friend Barry Schwartz, Klein took the leap and fulfilled his entrepreneurial dream ("Calvin Klein"). With his own company, Klein was able to pursue his vision of what fashion could be. At first, the company designed women's coats, but it soon branched out into other areas. Klein applied the simple, clean lines of his coats to women's sportswear, producing practical yet fashionable clothes.

Later on, throughout the 1930s, fashion photographs were principally created in studios, to take advantage of being able to carefully control lighting, composition and pose (Grossman 1). However, outdoor photo shoots were not unheard of. It has been noted that these outdoor photographs "carried an allusion of authenticity and spontaneity that made the fashionable clothes appear more vibrant than the sculptural effects of studio photographs could achieve" (Grossman 1). With

The four illustrations from the earliest decades of the twentieth century illustrate the importance of fashion in the formation of identity just as much as Twiggy's outfit does, and in fact are possibly even more telling given their distance from current styles. Regardless of what people of the time though regarding the sexuality of certain of these gown, all of them give the female figure an incredibly sculpted look, whether

SOCIAL IDENTITY & TODAY'S FASHION Crane holds that the fashion of today "has several diverse and inconsistent agendas, ranging from representations that echo sadomasochism and pornography to portrayals of women as empowered and androgynous." (2001) According to Crane "...the manner in which people perceive the social structure and conceptualize their identities within it has changed in the course of the twentieth century." (2001) The social identity was perceived by the individual

20th Century Fashion and Designers According to Tara Maginnis of Costumes.org, the prominent silhouette for a woman in (in Western cultures) was a thin-waisted shape created by a tightly-laced corset. She writes "The Hourglass shape of the woman of the 1890's transformed after 1897 into the "S" curve of 1897-1908. This change came from longer lined "health" corsets that supported the spine and abdomen, especially when they were over-laced by

Alice King, the undisputed Queen of luxury wedding planning. Her ability to transform visions into reality is unparalleled because she has access to a wealth of otherwise unattainable venues that offer the bride, groom, and their special guests an event to remember. King draws her taste and inspiration from a rich heritage in haute couture, bestowed by her mother, the designer Catherine King. Since she was young enough to