They're what journalists are supposed to explain. 'We'll focus on the issues' is the vow in virtually every newsroom in virtually every campaign. Ideally, it means producing comprehensive, thoughtful analyses of candidates' positions on economic growth, health care, education, defense, the environment, and so on." There is, however, a story that became the political issue when Senator Berry's public life, for whatever, became entangled in the lives of not one,

Mogel's #5: Carefully read the want ads in trade publications. Mogel's #6: Give thought to going to graduate school in broadcast journalism. You may not want to be a reporter as a career, but Mogel writes that journalism could "give you the edge you need to get the right job." He adds that perhaps a better idea for some individuals would be to work a couple years in radio

17). He is disgusted that news executives that direct what should be covered are less interested in "what's happening in Afghanistan" but more interested in "Michael Jackson and Laci Peterson" (Fenton, p. 20). What are the excuses TV executives, editors and producers give for focusing on scandal, sexual trysts, and embarrassing situations for celebrities? Fenton claims that those "gatekeepers of the news" will tell anyone listening that "the average [viewer]

Also, viewers may perceive the negative advertising as an infringement upon their right to decide for themselves. Such a perception may result in reactance, a boomerang effect in which the individual reacts in a manner opposite to the persuader's intention. What these studies show, then, is that a candidate is never going to know how for sure how a negative ad may impact the voters. In the long run,

] Younger people (18- to 34-year-olds) are much more likely to view television news as mainly interested in serving the public interest (57.5% vs. 46.7%). Creating a local brand and attracting the most viewers is the name of the game in the battle for ratings and revenues. The local newscast defines the image of the station, and now more than ever local stations need up-to-date newscasts to keep audiences tuned in.

The program director also typically fulfills duties in the realm of direct negotiations with recording labels and other professional management and representation in connection with establishing product or talent exposure goals that are mutually agreeable to all parties. This often requires polished negotiating and communications skills, particularly because the interests of the station and those of artists and their representation may not necessarily coincide (Hall & Hall, 2000). Finally, the broadcast