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Kortum, R. Warrior Vase. No date. East Tennessee State University. October 16, 2006 http://faculty.etsu.edu/kortumr/05mycenae/htmdescriptionpages/12vase.htm. Included in this description is a retelling of the myth that inspired the artist. Of particular interest is how the artist carved Hermes' face to give the appearance of three different emotions, based on the angle with which the viewer was viewing it.
The author, a professor at East Tennessee State, gives a brief description of the krater (mixing bowl) pottery from the 12th century BC and now housed in the National Archaeological Museum in Athens. In addition, a black and white image clearly depicting the militaristic scene on the piece is presented. The author makes the point of the differences between Minoan and Mycenaean lifestyles at this point in history, through the different typical pottery motifs.
Lahanas, M. The divine madness of the orgiastic Maenad. 2006. Dr. Michael Lahanas. October 16, 2006. http://www.mlahanas.de/Greeks/Arts/MaenadSkopas.htm.
Dr. Lahanas gives a detailed account of Skopas' Maenads. Using Kallistratos' first hand accounts, he clearly expresses the fluid and emotion-filled qualities of these sculptures. Although he does not address the Maenad in Dresden, specifically, Kallistratos' description includes all of her more than two-dozen sisters.
Papakyriakou/Anagnostou, E. Art. 3 Jun 2004. Archaeological Museum Olympia. October 16, 2006 http://www.sikyon.com/Olympia/Art/olymp_eg09.html.
Scopas or Skopas." Britannica Concise Encyclopedia (2003). Retrieved 17 October 2006, from xreferplus. http://www.xreferplus.com/entry/5856297.
The Britannica's concise entry for Scopas is just that - concise. Although the entry gives a very brief detailing on who Scopas was, the discussion of the Maenad in Dresden is even shorter. However, it does note that this is one of his most noteworthy works.
Vermeule, C. "The Weary Herakles of Lysippos." American Journal of Archaeology 79(4) Oct 1975: 323-332.
Vermeule gives a comprehensive detailing of Lysippos' Herakles. Of note is the burden that Lysippos portrays with his sculpture. Herakles had the weight of the heavens upon him, and as such, many humans can empathize with that feeling. In addition to the original creation, Vermeule details the multitudes of replicas that were made of this work. These copies were created in a variety of sizes and materials.
The Britannica's concise entry for Scopas is just that - concise. Although the entry gives a very brief detailing on who Scopas was, the discussion of the Maenad in Dresden is even shorter. However, it does note that this is one of his most noteworthy works.
Vermeule, C. "The Weary Herakles of Lysippos." American Journal of Archaeology 79(4) Oct 1975: 323-332.
Vermeule gives a comprehensive detailing of Lysippos' Herakles. Of note is the burden that Lysippos portrays with his sculpture. Herakles had the weight of the heavens upon him, and as such, many humans can empathize with that feeling. In addition to the original creation, Vermeule details the multitudes of replicas that were made of this work. These copies were created in a variety of sizes and materials.
The Roman diet was based on cereals: "Emmer was the first food of the ancient inhabitants of Latium, and the offerings of emmer...are a strong confirmation. That emmer porridge, rather than bread, was the staple of the Romans" (Pliny, cited by Purcell, 2003). In the households that had kitchen quarters, Roman women baked their own bread. Those who live in one room apartments had to purchase their food ready
It is only human for cultures to borrow from successful societies. It has been a common practice throughout human history, especially within the context of the Classical periods, where many major nations were developing themselves as world powers. Many of these traditions still live on today either in their own right, or through the perpetuation by other cultures. In fact, Western society owes much of its foundations and philosophies to
Greek Project 1272 ART204 Formal Research Project Summer Term 2012 Ancient Greek sculpture is one of the most famous historical forms of art. Three main forms of life are represented by this sculpture; war, mythology, and rulers of the land of ancient Greece. The main aim of the paper is to revisit the history of the art of sculpturing in ancient Greece and different steps of its development within different time periods.
Ancient Greek art has survived most successfully in the forms of sculpture and architecture, as well as in such minor arts as coin design, pottery and gem engraving. Greek architecture relied on two main styles, namely the Doric and the Ionic. The names were given by the Ancient Greeks themselves, who believed that these architectural styles were derived from the gods (Chase: 122). Ancient Greek art has survived most successfully
Of course, the history of ancient Greek art is inseparable from the city of Athens, where our modern principles of democracy emerged around 400 B.C.E. And which has become the penultimate symbol of Greek culture, especially related to the Parthenon atop the Acropolis which still stands today as the quintessential icon of ancient Greek architecture. It was here in Athens that some of the finest products of Greek civilization were
Classical Greece Desire, Emotion, and Knowledge: Greek Society and Culture in the Classical Period (480-338 B.C.) Following the aftermath of Greeks' victory over Persians during 480-479 B.C., Greek society has undergone rapid changes and revival in its political, economic, and cultural structures, called the Classical period of Greek society and culture. This period, 480-338 B.C., is characterized by the emergence of new reforms in the society, such as the establishment of a