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Crouching Tiger, Hidden Dragon Became Term Paper

For instance, one commented that the ferocity of the fight between Jen and Shu Lien, using a variety of weapons against the stolen sword seems hardly justified by the nature of their quarrel or the substance of their friendship based on sworn sisterhood." In other words, the director seems to have added a ferocious fight that is not justified by the relationship itself or the plot development. The literature thus far analyzed as a whole shows that the main concern about the movie "Crouching Tiger" especially by the Chinese viewers and critics is that it does not portray China's culture and values, but rather the intercultural viewpoint of the director, Lee. This can impact viewers who interpret this as true Chinese culture. In Kenneth Chan's essay, he emphasizes the two problems critics have with the film First, cultural essentialists want a "true" representation of Chinese culture and its filmic history. Second, anti-Orientalists argue "against exoticizing one's own and capitalizing on the popularity or fixation of an Orientalist gaze."

References

Chan, K. (2004) The global return of the...

(2002). Escaping gravity. Movie magic and dreams of flying. Psychoanal. Study Child 57, 294-304.
Klein, C. (2004). Crouching Tiger, Hidden Dragon: A diasporic reading. Cinema Journal 43(4), 18-42

Leung, W. (2001) Crouching sensibility, hidden sense. Film Criticism 26 (1), 42-55

Prashad, V. (2003). Bruce Lee and the anti-imperialism of Kung Fu: A polycultural adventure. Positions: East Asia cultures critique 11(1), 51-90.

Sherman, S.R. (1998). Documenting ourselves: Film, video, and culture. Lexington: The University Press of Kentucky.

Zhang, J. (2005). Filmic folklore and Chinese cultural identity. Western Folklore 64 (3/4), 263-80.

Zhu, C. (2002) Examining Culturally Different Responses to the Chinese film Crouching

Tiger, Hidden Dragon. Study conducted by Harvard doctoral student. Website Retrieved October 30, 2006. http://www.gse.harvard.edu/~t656_web/Spring_2002_students/zhu_cheng_hidden_dragon.htm

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References

Chan, K. (2004) The global return of the Wu Xia Pian (Chinese Sword-Fighting Movie): Ang Lee's "Crouching Tiger, Hidden Dragon." Cinema Journal, 43(4),

Katz, H.M. (2002). Escaping gravity. Movie magic and dreams of flying. Psychoanal. Study Child 57, 294-304.

Klein, C. (2004). Crouching Tiger, Hidden Dragon: A diasporic reading. Cinema Journal 43(4), 18-42

Leung, W. (2001) Crouching sensibility, hidden sense. Film Criticism 26 (1), 42-55
Tiger, Hidden Dragon. Study conducted by Harvard doctoral student. Website Retrieved October 30, 2006. http://www.gse.harvard.edu/~t656_web/Spring_2002_students/zhu_cheng_hidden_dragon.htm
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