For example, the popular sitcoms Good Times and Sanford and Son showed working class neighborhoods and the problems of violence, crime, and social oppression, and yet how humor always finds its way into these character's lives. The 1970s also brought about a new late night live comedy show, called Saturday Night Live. This show had its first run from 1975 to 1980, and made political humor the centerpiece of Saturday

..There is reason for concern, therefore, when aggressive acts are presented in a humorous context in the media" (622). Although it is intended to refer to society and its misdemeanor, satire cannot be considered to be offensive, since there is a small probability that it will produce any resentment in people. A good example of the American society giving birth to something that is funny and enjoyable, despite its satirical character,

The doors, are metaphors for the "gates of love" that any person would have wanted to be a part of http://homepage.usask.ca/~jrp638/abstracts/cody.html, para 7). Props such as the vessels carried by the women characters in the play also represent the womb for which horrifies Knemon when his daughter had offered Sostratos to fill in the shrine next door. The use of the hoe for which Sostratos had borrowed from Gorgias is

Music Producers Biographical Introduction: Teo Macero Producers work behind the scenes and are the unsung heroes of music. While some producers receive public notoriety like Brian Eno and George Martin; others like Teo Macero remain known mainly to music scholars and serious audiophiles. In 2008, when Macero died, The New York Times ran an obituary with the tagline: "Teo Macero, 82, Record Producer," as if readers would need that crucial bit of

There has been a lot of debate and discussions on how exactly these so called heritage films must be interpreted, in academic circles as well as in the mainstream press, and in the more specialized film publications. As a part of the debate, certain issues became more important than others, and some of them were that a limit must be imposed on this type of trend in production, and that

Coolness vs. Passion: Frank Stella's Abstract Designs and Dana Schutz's Narrative Frenzy of Color Frank Stella's massive 1967 painting entitled Haran II takes the form of a geometric design that seems deceptively simple at first but becomes more and more complex as the viewer gazes upon it. The work is a series of rectangles and half-circles fused together with bright rainbows of colors embedded within them. The painting is childish in its