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Glass Making
William Morris viewed glass as a way to recreate ancient archeological artifacts—items that looked like they were made of bone, sinew, or fiber. He turned glass into objects that looked like something else completely—an animal’s horn or a skin flask. John Ruskin was a philosopher and art critic who viewed Venice as the epicenter of artwork and a city that was a work of art in and of itself. This concept was passed on to Dale Chihuly, who welcomed the artistic philosophy that art is comprised of a dynamic in which color and space play integral parts. Chihuly’s glass making has a little bit of Morris and a little bit of Ruskin in it in the sense that his objects are dynamically produced—full of color and life—and yet so unlike other glass artifacts that they have a life all their own. They explode outward as though they were real objects not made of glass but rather possessing their own substance, like one of Morris’s objects or like Venice itself possessed its own soul, according to Ruskin.
This type of art is different from artists such as Jackson Pollock and Pablo Picasso in the sense that their works tend to be abstract. Pollock is known for his abstract paintings in which paint is literally spilled across a canvas; Picasso is known for his abstract, cubist and surreal paintings and drawings that depict life in a modern style—discombobulated and fragmented. Chihuly’s style is unlike these modern artists in the sense that he is creating something concrete—turning glass into sculpture so to speak. His works are not surreal or abstract but rather have a firm, tangible reference point—whether it is the sun or flora in the environment. They reflect something found in nature and have not so much of an abstract quality to them as they do an imaginative and vibrant quality to them that harkens back to something that might be found in the sea among the colorful coral reefs.
Art PAINTING No. Untitled #14 Artist: John McLaughlin Paragraph: John McLaughlin was not a formally trained artist and started painting relatively late in life. A career in the military and foreign services brought him to Japan, exposing him to different artistic perspectives, forms, and styles. However, Mondrian would influence McLaughlin's artistic influences far more. McLaughlin came to rely on a minimalist color palette consisting often of only solid chunks of black, white, or primary
In essence, this painting "mixes a toothpaste smile with the grimace of a death's head" and symbolizes the true work of an American "action" painter (de la Croix & Tansey, 774). Another great example of an American abstract expressionist master is Mark Rothko (1903 to 1973), who emigrated to the United States in 1914 from Latvia with his family to escape Czarist Russia and its strict policies towards Jews. Although
Art The Metropolitan Museum of Art currently presents three fascinating special exhibits including one on cubism, another on Renaissance tapestry, and a third on ancient Assyrian art. Each of these three special exhibits is different, and exciting in its own way. The exhibit on Renaissance tapestry is entitled "Grand Design" and focuses on the work of Pieter Coecke van Aelst. Some of the tapestries are lavish and intricate, such as the
Art Impressionism in art developed in the 19th century. Impressionist paintings were characterized by visible brush strokes, and subject was drawn from ordinary life and outdoors, rather than being confined to still life, or portraits and landscapes drawn in studios. Emphasis was laid on the effect of light changing its qualities as well as movement. These characteristics of impression can be well observed in the works of art by Gustave Caillebotte,
To be sure, under the label Art Nouveau, there resides a long list of diverse artistic styles, from two dimensional arts to constructive and geometrical arts. Art Nouveau was an important architectural movement, inspired by the inherent patterns of nature. For example, C.F.A. Voysey's textile prints showcase plant forms in free curves, while Christopher Dresser's design philosophy stemmed from his knowledge of botany. Aubrey Beardsley (1872-98) is famous for his
Art History Marxism: Principal Ideology in Russian Constructivism and Mexican Mural Movement In the history or political philosophy, Karl Marx has revolutionized the social structure of the society by introducing in his discourse, The Communist Manifesto, the concept of modern Socialism, more popularly called as Socialism. In his discourse, Marx posits that in the course of human history, there is the ongoing struggle between the oppressed and the oppressor, which he termed