House Mango Street Sandra Cisnero"(book) the question paper: Is book represe It would be exceedingly difficult to represent all of Latino culture in any book, regardless of how talented the author is. Nonetheless, Sandra Cisneros is that rare breed of author for whom, particularly as it relates to her unique blend of poetry and prose, virtually nothing is impossible. She has been hailed as "a major literary talent" (Cruz, 2010,

Cisneros seems to project her own life into the character of Cleofilas as Cisneros herself is stated by Doyle (1996) to have entered into a discussion of the difficulties that she herself had known as a Mexican-American "...always straddling the two countries...but not belong to either culture...trying to define some middle ground." (Pillar, 1990; as cited in Doyle, 1996) This divide of cultures, religion and gender are a type of

However, there is also danger to the sexuality that lies behind sweetness, as when a girl Sally, marries a marshmallow salesman to escape an abusive father, entering a union that seems as bad as the home she is leaving. A final symbol of the novel is that of play -- few adult women, except for the insane Ruthie, are seen enjoying themselves over the course of the novel. Girls can

Magical Realism in Ana Castillo's 'So Far From God' When looking for the magical realism in Ana Castillo's So Far From God, and for those readers who know her work and her cultural background, one of the ways in which the author employs magical realism is as a skilled fiction writer. Castillo is writing about Latinos, a family of women. Her first step in employing magical realism is to set aside

The novel opens seven years after Gabo's mother, Ximena, was murdered by coyotes -- or paid traffickers -- during an attempt to cross the border. Her mutilated body was found, her organs gone -- sold most likely. Because of the fear surrounding this border town and the lure of the other side, all of the characters become consumed with finding Rafa. These people are neglected and abused. Like other fiction

Fiction's Come a Long Way, Baby The development of fiction from its nascent stages until today's contemporary works is a storied one. Many features mark contemporary fiction and differentiate it from the classics of the 17th, 18th and 19th centuries: For one, modern writers use different perspectives to narrate: In some works, the narrator switches from third-person omniscient to first person, and in some contemporary works, even the challenging second-person. Experimentation