Listening "Blues After Dark." Belgium 1958  Term Paper

PAGES
4
WORDS
1214
Cite
Related Topics:

¶ … Listening "Blues After Dark."

Belgium 1958 ~ Dizzy Gillespie (trumpet), Sonny Stitt (tenor and alto sax), Lou Levy (piano), Ray Brown (bass), and Gus Johnson (drums)

Style of the Piece: Jazz blues (Early Jazz)

Role(s) of piano: The piano is heard in the background, against the horn. The piano player Lou Levy has a solo towards the end of the song but it is brief.

Role(s) of bass: The bass provides a deep sound to counter the loud horns and intermittent piano sound.

Role(s) of drums (including sticks or brushes or mallets): The drum is barely audible, seeming present to serve the rhythm more than anything. He uses sticks on both the drum and cymbals.

Role(s) of horn players: The horn player is the first sound that is heard in the piece and is the most audible. Gillespie uses a mute on his horn for this piece.

In Greater Detail:

For your selected solo within this song:

Identify the Solo: The solo is performed by Dizzy Gillespie from about the 2-minute mark to the 4. He is playing the horn.

How did the solo progress from beginning to end?

The solo begins soft and then builds to a crescendo, slowly becoming louder and more profound until the horn speaks alone among the many instruments.

Was the solo successful? Why or why not?

The solo was extremely successful because it drew attention to Gillespie and seemed to drown out the other players.

What was your emotional response to it?

While listening to the piece, it seemed that at first the horn player was trying to find a voice, representing someone who was not heard in society. Then as he got louder it was like he was forcing people to hear him. It was very powerful to me.

2. "On the Sunny Side of the Street."

Belgium 1958 ~ Dizzy Gillespie (trumpet), Sonny Stitt (tenor and alto sax), Lou Levy (piano), Ray Brown (bass), and...

...

During the horn solo, the piano is even more audible.
Role(s) of bass: Bass and piano work together to provide the basic song melody during the saxophone solo.

Role(s) of drums (including sticks or brushes or mallets): The job of the drummer is in keeping the rhythm with sticks; sounds almost like a soft-shoe tap dancer. Symbols pick up during saxophone solo to provide counterpoint.

Role(s) of horn players: Gillespie plays with a mute on his horn. The horns are the most prominent part of the ensemble, serving to replace the vocals for much of the piece. The sax and horn actually seem to be talking to one another as if they are having a discussion through music. Towards the end of the song, Gillespie sings but it is atonal and not entirely pleasant, making the audience desire him to return to the horn.

In Greater Detail:

For your selected solo within this song:

Identify the Solo: Saxophone solo by Sonny Stitt

How did the solo progress from beginning to end?

Starts of strong, continues with long runs which repeat from high notes to lower ones.

Was the solo successful? Why or why not?

The solo was less successful because it took away from the strong melody of the piece.

What was your emotional response to it?

Whereas the rest of the song has a sort of melancholy cheerfulness to it, the solo is sad and somber making it seem disconnected to the rest of the piece.

3. "Lover Man"

Belgium 1958 ~ Dizzy Gillespie (trumpet), Sonny Stitt (tenor and alto sax), Lou Levy (piano), Ray Brown (bass), and Gus Johnson (drums)

Style(s) of the piece: Blues or torch song (Ballad)

Role(s) of piano: Piano serves as keeping…

Sources Used in Documents:

Works Cited:

"Loverman." YouTube. YouTube, 15 Jan. 2011. Web. 14 Nov. 2012.

<http://www.youtube.com/watch?v=VY9ywcx7-bA>.

Unterhose132. "Dizzy Gillespie - Blues After Dark." YouTube. YouTube, 17 Feb. 2012. Web. 13

Nov. 2012. <http://www.youtube.com/watch?v=f3jPpYFc4Yo>.
<http://www.youtube.com/watch?v=s8UEGmAvWfM>.
<http://www.youtube.com/watch?v=ondhKp0dde8>.


Cite this Document:

"Listening Blues After Dark Belgium 1958 " (2012, November 14) Retrieved April 16, 2024, from
https://www.paperdue.com/essay/listening-blues-after-dark-belgium-1958-107220

"Listening Blues After Dark Belgium 1958 " 14 November 2012. Web.16 April. 2024. <
https://www.paperdue.com/essay/listening-blues-after-dark-belgium-1958-107220>

"Listening Blues After Dark Belgium 1958 ", 14 November 2012, Accessed.16 April. 2024,
https://www.paperdue.com/essay/listening-blues-after-dark-belgium-1958-107220

Related Documents

Jazz "Blues After Dark," Feat. Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 Starting with the dueling instruments, it almost sounds like two muted trumpets, because the harmonics are intense. For a few notes, it remains that way until I see that it is not two trumpets but rather, a trumpet and a saxophone. They are playing together brilliantly. A smooth stand

Jazz Performance: "Blues After Dark," Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 This dynamic performance starts rather tentatively with the trumpet and saxophone, before the band joins in earnestly. Piano, bass, and drums accompany the lead trumpet (Dizzy Gillespie) and tenor saxophone (Sonny Stitt). The introduction builds rather quickly after that, build around a central phrasing structure. There are deliberate

Jazz "Blues After Dark," Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 Style = BeBop Role of Piano = Stride and Comping Role of the Bass = Walking Role of the Drums = Brushing and Riding Role of the Trumpet and Saxophone = Lead and Melody "Blues After Dark" starts off with Dizzy Gillespie and Sonny Stitt, for a few measures only the trumpet and saxophone

The tone of Dizzie Gillespie and Sonny Sit's solos is notably more optimistic and cheerful. Dizzie Gillespie once again introduces some elements of Bebop into the context of his solos to enrich the more set harmony of the rest of the song. The end of the song actually features Dizzie Gillespie and OSnny Sitt singing along, really capturing the duet style of the song that was first introduced by

Drums, piano, and bass all remain strictly rhythmic elements of this piece, though the latter two also provide melodic and harmonic support to this smooth yet snappy piece that is not quite a ballad yet is not nearly up-tempo enough to be considered be-bop. Johnson drives with his sticks on the drums with some liberal symbol use, and Brown keeps a steady bass line moving underneath the melody and

It's well-known that soccer, like religion, can provoke violence like hooliganism and tramplings at overcrowded, large stadiums, and this is what many Americans assume it is all about. "But soccer has also proved unique in its ability to bridge differences and overturn national prejudices. The fact that the World Cup could even take place in South Korea and in Japan, as it did in 2002, was a victory for tolerance