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Ancient
Interpretations of Ovid's Love Stories
The first story from Ovid's Metamorphoses to be interpreted is "Echo and Narcissus." There are some traditional elements to the story as a love story paradigm. There are stories of "boy meets girl" and often part of that story is that one or both of the romantic leads like each other, but have difficulty synching together to have a romantic interlude. Narcissus calls out to Echo in the woods for them to meet together. She is excited but she can only repeat the last phrase or so of what Narcissus says, keeping them from meeting together. In another way, the story is a traditional love story, in that the girl loses the boy. What is non-traditional is that the girl loses the boy to himself. Narcissus sees his reflection in water while roaming the forest and falls in love with himself. Thus, this is a love story, but an odd one. Some times people are too much in love with themselves that they go blind to the other sources...
True, many ladies desired Narcissus, but none of them touched his heart. Echo was the woman who was the closest in reaching his heart, but his heart was overwhelmed with romantic love for himself, which ultimately led to his death, which was intensely mourned. Echo does not really have a self; she is a portion of and/or a reflection of the last person with whom she is speaking. Where Echo has too little of a self, Narcissus suffers from an excess of self. Too little self left Echo lonely, and too little self left Narcissus dead and alone in the underworld, as he still stares at himself in the river Styx.
The story of "Salamacis and Hermaphroditus" is another odd love story in Metamorphoses. In this case, 1 + 1 does not equal 2; it equals both one and two. Salamacis love a boy so much that in her romantic and sexual frenzy to be close to him, she wished for hers and her lover's bodies to never be apart.…
Confessions of Augustine, The Life of Saint Teresa of Avila by Herself, "On the Oration and Dignity of Man," Petrarch's poetry, and Shakespeare's drama "King Lear" are both products of societies in which the dominant religious ethos was Christian rather than pagan. However, although all texts share this similar historical feature, fundamentally opposing views of the self are articulated through the theological texts in contrast with the works of
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