Madame Bovary vs. The House of Mirth
Annotated Bibliography
Fate, Society, Determinism and Suicide in the House of Mirth by Edith Wharton and Madame Bovary by Gustave Flaubert
The American Experience: Andrew Carnegie -- the Gilded Age." PBS Online. [Oct
2006] http://www.pbs.org/wgbh/amex/carnegie/gildedage.html
Provides a historical overview of the excesses of the Gilded Age, and thus provides helpful background for the setting of Wharton's novel. Offers such facts as "Mrs. Stuyvesant Fish once threw a dinner party to honor her dog who arrived sporting a $15,000 diamond collar," although "in 1890, 11 million of the nation's 12 million families earned less than $1,200 per year," in America. Shows the disparity in wealth and opportunities for all Americans during the era when Lily lived, and helps to suggest why Lily might be seen as forced to choose between wealth and marriage, and the life of an impoverished seamstress.
Byatt, a.S. "Scenes from Provincial Life." The Guardian. July 27, 2002. [Oct 1-2006] http://books.guardian.co.uk/departments/classics/story/0,6000,763030,00.html
Noted contemporary British author a.S. Byatt, whose novels such as Angels and Insects frequently discuss sexual repression during the Victorian age, offers a highly sympathetic view of Flaubert's doomed heroine, calling Emma an imaginative woman "trapped in a house and kitchen," and portrays the novel less of a critique of the dangers of reading, as Byatt herself first 'read' it, but as a criticism of the shallow values of the emerging bourgeois society of Flaubert's era.
Deppman, Jed. "History with style: the impassible writing of Flaubert - Gustave
Flaubert." Style. 1996. [Oct 1-2006] http://www.findarticles.com/p/articles/mi_m2342/is_n1_v30/ai_18631915
Discusses the tension between historical verisimilitude in portraying society with the need to create artistic prose in Flaubert -- addresses questions as to whether Emma dies from an overdose of art, and as a result of her own psychological makeup, or if her end is deterministically driven and is a product of societal forces.
Duckworth, Lorna. "Madame Bovary syndrome' sends record number of women bankrupt." The Independent. July 23, 2001. [1 Oct 2006] http://www.findarticles.com/p/articles/mi_qn4158/is_20010723/ai_
Examines Madame Bovary as a contemporary societal phenonmeon in modern Briton, as the need to 'keep up with the Joneses' in terms of conspicious consumption drives women into excessive spending. Emma's end, viewed as such, is not a product of internal ennui but of social competition.
Ebert, Rodger. "Madame Bovary." Film review of 1991 Chabrol version. The Chicago
Sun Times. December 25, 1991. [Oct 1-2006] http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19911225/REVIEWS/112250301/1023
Despite the fact that this is published as a film review of the 1991 version of "Madame Bovary," popular film critic Rodger Ebert spends little page space reviewing the film, and instead tends to focus on why Madame Bovary is not an appropriate or likeable heroine for contemporary American viewers. Specifically, he focuses on her suicide as the 'reason' that she cannot be seen as a role model. He compares her with whom he sees as the quintessential American coquette/literary and cinematic parallel, Scarlett O'Hara, but writes "the difference between Bovary and O'Hara is in how they react to misfortune, and their different styles say a great deal about the differences between France and America: Emma kills herself, while Scarlett plants potatoes."
Ebert, Roger. "The House of Mirth." Film review of 2000 Terrence Davies version.
The Chicago Sun Times. December 22, 2000. [1 Oct2006] http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20001222/REVIEWS/12220308/1023
Despite his dismissal of Madame Bovary as depressed, middle-class and suicidal, Ebert finds Lilly Bart to be a far more sympathetic protagonist, calling it one of the "saddest stories ever told about the traps that society sets for women," as Bart is forced to dwell in a society where marriage is her vocation. Denied marriage, the only other societal option is suicide. Society is the agent of her demise, not Lilly: "her life is not unpleasant until a chain of events destroys her with the thoroughness and indifference of a meat grinder."
Goetz, Thomas H. "Flaubert, Gustave." World Book Online Reference Center. 2006. [1
Oct 2006] http://www.aolsvc.worldbook.aol.com/wb/Article?id=ar200180.
Biographical overview, provides insight into Flaubert's role as a uniquely realistic writer, thus stressing Emma's economic and moral ruin not as extraordinary, but ordinary.
The House of Mirth." Directed by Terrence Davies. 2000.
This film version takes a slightly feminist reading of Lily's suicide, stressing the aspects of Wharton's novel that imply that middle class women have few venues for self-expression, other than in marriage. Rather than delicate and retiring, Gillian Anderson portrays Lily as strong, and actively makes the unfortunate decisions that result in her social ostracism.
Inness, Sherrie. a. "An economy of beauty: the beauty system in Edith Wharton's 'The
Looking Glass' and 'Permanent Wave.'" Studies in Short Fiction. Spring 1993.
Oct 2006] http://www.findarticles.com/p/articles/mi_m2455/is_n2_v30/ai_14081381
Addresses the role of beauty in all of Wharton's fiction, and the ways in which women are regarded in society as physically beautiful and objects of the male gaze. These aspects are seen as crucial within the novel in motivating Lily's suicide.
Jong, Erica. "Fashion Victim." Salon.com. September 1997. [1 Oct 2006] http://www.salon.com/sept97/bovary970915.html
1970's feminist author Jong and author of Fear of Flying suggests that Emma dies because she has attempted to make her life into an erotic novel.
Madame Bovary." Directed by Claude Chabrol. 1991.
French made film with English subtitles. Emma's suicide during the latter half of the novel is given greatest attention.
Pizer, Donald. "The naturalism of Edith Wharton's 'House of Mirth. 20th Century
Literature. Summer 1995. [1 Oct 2006] http://www.findarticles.com/p/articles/mi_m0403/is_n2_v41/ai_17861988
You’re 80% through this paper. Sign up to read the full paper.
Sign Up Now — Instant Access Already a member? Log inAlways verify citation format against your institution’s current style guide requirements.