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On the other hand, Gregor's continued presence defied the grieving process. He was dead; but he was not gone. Grete could not come to terms with the loss of her brother because in order to accept this loss, Gregor had to be physically removed. That he was not removed caused anguish in Grete's life. Her reaction to this anguish is to turn on her brother. During this struggle to find acceptance Grete begins a journey of self-discovery. She metamorphoses from a shy and dependent girl to a mature woman, ready for marriage and ready to take on the responsibilities...
Grete cares for Gregor as much as she can until she cannot help herself. Her rejection of Gregor is the final blow. The injury (caused by the father) and the heart break of rejection results in Gregor's death. In a final affront to his dignity, Gregor is not even given a decent burial. He is left to the cleaning lady to sweep his remains up with the rest of the trash.
Metamorphosis by Franz Kafka Why did Vladimir Nabokov -- a brilliant, respected and often-quoted novelist, best known perhaps for his classic novel, Lolita -- do a razor-sharp editing job on Kafka's The Metamorphosis? And what is the meaning and the motivation behind Nabokov's intervention into the classic Kafka short story? This paper reviews Kafka's iconic short story and delves into the way in which Nabokov has editorially changed the direction and
Franz Kafka: The Metamorphosis In The Metamorphosis, Franz Kafka tells the story of Gregor Samsa, who transforms into a hideous insect-like creature. Gregor was a traveling salesman before he changed into the creature, and one day he wakes to find the transformation has taken place during the night (Kafka 13). Throughout the rest of the novella, Gregor deals with the changes that have taken place and attempts to adjust to what
waking up one morning and suddenly you are a bug. Last night, when you went to sleep you were an ordinary man. Today, you're a bug. Gregor Samsa does just that, and suddenly his life is thrown completely off track. No longer is he the sole breadwinner for his mother, father and sister. He is now the burden that they have been to him. His mundane job as a
Distinctly from John Updike's teenage character Sammy in his short story "A&P," who realizes he has just become an adult; Connie as suddenly realizes she feels like a kid again. Now she wishes the family she usually hates having around could protect her. The actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get
For example, his parents feel no paternal instincts toward their son at all - his mother "fell on the floor" (Kafka 20) at the sight of and his father "covered his eyes with his hands and wept until his great chest heaved" (20). His sister also allows his appearance to get the best of her as she tries to convince the family to "try to get rid of it"
Gregor's change definitely represents anger from many different angles. Perhaps Gregor's anger is the most defensible in that his family has not undergone the most horrific changes imaginable. Gregor is justifies for feeling frustrated because he took care of his family for so long. His "rage at the way they were neglecting him" (768) deserves merit. Sheldon Goldfarb maintains, "Gregor's transformation has a double meaning: it is both an