They experimented, they felt the need to invent, to innovate, to improvise and to foster new ways of expressions, new means, in order for them to go forward and to have something new and significant to say in art. They had to break with the conventions of the traditional art in order to do that.
By the mid twentieth century, New York became the center of the art world, as it managed to gather some of the most significant names in modern art at the time. The 9th Street Show from 1952 in New York, simply put New York on the map by gathering numerous names of the contemporary artists on both sides of the Atlantic, with a special accent on abstract expressionism. Thus, the paintings of artists like Clyfford Still, Willem de Kooning, Mark Rothko and Robert Motherwell, started to speak to the rest of the world at a scale comparable...
They certainly made an impact, although most of the world did not know what to make out of them at first.
Another major name in the abstract expressionist movement is that of Arschile Gorky. His biography, like that of the rest of the American abstract expressionists at the middle of the twentieth century, became intrinsically related to his body of work. First, he experimented with mastering the more conventional art movement styles, such as expressionism and cubism, then he went on to a style that became entirely of his own.
Although the paintings of the abstract expressionists are unique as their individualities and life experiences were unique, they share one feature they break with conventions, adopting completely new ways of expression while admitting the
In Braque's "Woman with a Guitar we can see the foreshadowing of the Synthetic Cubism period, when he introduces stenciling and lettering, a practice that Picasso was soon to imitate. Figure 7: Picasso, Le Guitariste"(1910 Figure 8: Braque "Woman with a Guitar" (1913 Synthetic Cubism/Collage 1912-1914: Braque was beginning to experiment further now by mixing materials such as sand and sawdust into his paint to create a more textured, built- up look and what
Art and Photojournalism Film and photojournalism have been extremely important aspects of war since their invention. One journalist wrote, "Photographic journalism is generally accepted as an authoritative source of visual information about our times" (Steichen 5). This is especially true of war photography, because the photographer's lens captures the horror and agony of war in a split second, and immortalizes it forever. Some of the most memorable photographs of the century
Architecture It is interesting to learn that Mid-Century modern is really an architectural, interior and creation purpose procedure that normally defines mid-20th century expansions in modern blueprint, architecture, and urban expansion from approximately 1933 to 1965. The period, occupied as a style descriptor even during the mid-1950s, was reiterated in 1983 by author Cara Greenberg in the name of her manuscript, Mid-Century Modern: Furniture of the 1950s, which celebrating the style
Art Therapy a form of psychotherapy? Since the middle of the twentieth century, artistic expression and creation have been seen as valuable assets in the context of therapy and rehabilitation. The impact that art therapy has had on the field of psychology is undeniable, and its influence has contributed to the development of various diagnostic tools and interventions used in psychotherapy. The practice of art therapy involves the process of image
Bauhaus After World War I, the nation state of Germany under the direction of architect Walter Gropius created a "consulting art center for industry and the trades" (Bayer 12). Called Bauhaus, "house for building," the school combined the role of artisans and craftspeople and included everything from architecture to theater to typography. When the school was forced to close during the Nazi regime in 1932, many of its artists moved to
Emile Galle and Louis Majorelle and the Art Nouveau Movement Art Nouveau is best defined as a style in the visual arts that came to the fore in a number of European and North American cities in the early 1890s, and remained a force to be reckoned with until the end of the first decade of the twentieth century, when it faded quite speedily from view. The style emerged as a