The arrival of Jake's wife and son some three years after him, rather than being a happy occasion, represents to Jake the diminishing of the exciting, new life he has tried to build for himself in New York. After the arrival of his wife, Jake "thought himself a martyr, an innocent exile from a world to which he belonged by right and he frequently felt the sobs of self-pity mounting

The Adventures of Huckleberry Finn is perhaps the best example of Realism in literature because of how Twain presents it to us. Morality becomes something that Huck must be consider and think out as opposed to something forced down his throat. He knows the moral thing to do would be to report Jim, noting, " "People would call me a low down abolitionist and despise me for keeping mum --

Her husband ignores her and as she becomes increasingly aware of the wallpaper, she is slowly losing herself. Her worst obstacle is not her illness but her husband and this is the reality that Perkins-Gilman establishes. The conclusion of the story brings us to the realization that the narrator will suffer because she is a women and she finally loses the battle when she confesses that she has "got

Eugene O'Neill's play, "The Emperor Jones (1921)," is the horrifying story of Rufus Jones, the monarch of a West Indian island, presented in a single act of eight scenes of violence and disturbing images. O'Neill's sense of tragedy comes out undiluted in this surreal and nightmarish study of Jones' character in a mighty struggle and tension between black Christianity and black paganism (IMBD). Jones is an unforgettable character in his

Stephen Crane: A Great Writer of American Naturalist Fiction and Non-Fiction, and of Local Color Stephen Crane (1871-1900) was an American author of the late 19th century, whose work, in terms of style and sub-genre, was somewhere between American Romanticism and American Naturalism (with some American Realism added). Crane wrote at the end of a century (the 19th), a time when several literary styles and genres are typically blended together until

.. It was a goddess, radiant, that bended its form with an imperious gesture to him. (Conrad 81) Crane thus suggests how the heat of battle becomes focused on a symbol, in this case the flag, and soldiers emerge from battle with this new symbol clearly in mind. The imagery used makes an association between the flag and a goddess, thus indicating a sexual appeal at the same time. Henry changes in