Necklace By Guy De Maupassant Term Paper

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Necklace by Guy De Maupassant Guy de Maupassant's short story, "The Necklace," deals with many different themes. This work of literature examines notions of beauty and youth, class and money, and a liveliness and zest for life that is contrasted with the conception of aging. Despite all of these thematic issues, it appears to the shrewd reader that the principle theme that this work of literature is based upon, and which all of the other themes hinge upon, is the relationship between beauty and money. Quite simply, the main character, Mademoiselle Mathilde Loisel, equates beauty and attractiveness to money and all of the material trappings it affords. Consequently, the poor woman forfeits what true beauty she possessed -- independent of money -- due to an unfortunate financial situation.

It is fairly apparent that Mrs. Loisel believes that physical attractiveness and beauty is largely based on the amount of money that a woman has to pamper herself with. This fact is perhaps true because the young lady was born without a lot of money. Actually, she is considerably poor, and regrets the fact that she does not have enough money to buy all of the intricate things (clothes, jewels, fashionable art) that typically surround women who have money and who are thought of as beautiful. The following quotation certainly demonstrates this fact. "She had no dresses, no jewelry, nothing. And she loved nothing else; she felt herself made for that only. She would so much have liked to please, to be envied, to be seductive and sought after" (Maupassant, 1907). What is notable about this quotation is not the lack of material items that Mrs. Loisel had. Instead, what is most eminent is the fact that this woman loves all of the things that she does not have. Furthermore, she believes that...

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Loisel on this point. He certainly indicates that beauty is one of the determining factors for a woman's desirability. But he also lists a lot of other characteristics in the following quotation. "…women have no caste and no descent, their beauty, their grace, and their charm serving them instead of birth and fortune. Their native keenness, their instinctive elegance, their flexibility of mind, are their only hierarchy…" (Maupassant). It is of the utmost importance to analyze the attributes that Maupassant helps to determine the particular "caste" of a woman. The author -- who was considered "the most popular artist oof his day" (Artinian 9) explicitly states that a woman's fortune does not determine what her position in life is. Instead, he cites a number of attributes that are intangible and non-material -- such as their intellect ("keenness"), their mental capacity, and their "grace" which are what truly determines a woman's attractiveness. Even beauty is something that is contrasted with a woman's money. However, Mrs. Loisel does not see things this way, which is why her story -- in which she loses a worthless necklace that she believes is very expensive, and forfeits all of the attributes that she did have (many of which are listed above) to pay for it -- helps to prove that beauty and attractiveness is not synonymous with money, and may very well be part of "the ills of society" (Johnson 1).
Another theme that is found within this story and…

Sources Used in Documents:

Works Cited

Artinian, Artine. "Maupassant as Seen by American and English Writers of Today." The French Review. 17(1), 9-14. 1943. Print.

Galilei, Galileo. Dialogue Concerning the Two Chief World Systems. www.dropboxusercontent.com. 1632. Web. https://dl.dropboxusercontent.com/u/10224324/Pepperdine/HUM%20313/Readings/Syllabus%20Readings/Galileo%20-%20Dialogue%20Concerning%20Two%20Chief%20World%20Systems.pdf

Johnson, P. Jean Jacques Rousseau: An Interesting Madman. www.dropboxusercontent.com. No date. Web. Retrieved from https://dl.dropboxusercontent.com/u/10224324/Pepperdine/HUM%20313/Readings/Syllabus%20Readings/Johnson%2C%20Paul%20-%20Intellectuals%20-%20Rousseau.pdf

Maupassant, G. "The Necklace." www.bartleby.com 1907. Web. http://www.bartleby.com/195/20.html


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