Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
¶ … Power of Nonofficial Actors
Pamela Aall, "The Power of Nonofficial Actors in Conflict Management." Chapter 27 in Leashing the Dogs of War
Since the Cold War, small and otherwise insignificant actors have played major roles in international relations and conflict resolution. Large coalitions such as the United Nations have been joined by smaller ones with a stronger regional focus. Regional alliances have provided a voice to smaller nations and their people. Similarly, non-governmental organizations have also played an increasingly important role in international relations and conflict resolution. Such organizations can easily be referred to as "unofficial" because they are not the central actors: nor do they write or sign treaties. Even as they are unofficial, NGOs possess significant power and exude clout especially in the peacemaking process.
NGOs seem to have little official power; they are not endowed with the ability to act as definitively as official actors such as the United Nations. However, NGOs wield power in a similar way as the official organizations and states they work with. NGOs are also integral to the peacemaking process because they have the ability to mediate and intervene, to step in when states are too embroiled in conflict to act within a reasonable time frame.
Understanding the role and importance of NGOs is crucial for all parties involved in the peacemaking process. Specific examples can help contemporary foreign relations specialists to create programs and plans that foster strong ties between governments and NGOs. For instance, the Henri Dunant Centre for Humanitarian Dialogue (HDC) helped mediate a severe conflict between the Indonesian government and the Acehnese rebels. Other NGOs have played less visible roles in mediating peace, such as by drawing international media attention toward small and forgotten regions of the globe. NGOs also work in a direct and hands-on fashion by capacity building: such as helping troubled regions develop infrastructure and make social and physical repairs after wartime. The power possessed by groups like the HDC can also be broken down into six types: informational, expert, referent, legitimate, reward, and coercive power. NGOs must capitalize on their power to implement timely and efficient conflict resolution.
Actor-Observer Affect Examined With Young Drivers The actor-observer effect has been studied in great detail with mixed results. The goal of this study is to determine if by using a situation that is more socially undesirable, the attributions used by the respondents will offer a more definite bias. The question is whether the observer exhibits more risky driving behavior or do his/her friends. A set of survey questions was answered by
Actors Studio David Garfield's glossy coffee-table history of the Actors Studio is a tribute to the number of film celebrities who have studied there: ranging from those who became famous as early exponents of the method, such as Marlon Brando, to more recent alums who continue to work regularly and whose artistic achievements have been celebrated with awards, such as Susan Sarandon. Yet the method's insistence upon total immersion in the
The sound of the prop needs to be in a certain way in order to adequately support the performance, otherwise, the things that the artist will convey will be different than those he wishes to. Such an intrinsic attention to details also reveals the fact that the actors himself is just a small part of a much larger ensemble that works together for the final image of the play. The
actors in International Relations are the State people. Discuss this statement with reference to International Society theory. Modern international system is based on state interaction. Therefore, the principle actors in international relations are the state people. The state people make decisions in the international arena; they collaborate, coordinate their activities with other state people, and represent their respective citizens in international bodies. Non-state actors such as non-governmental organizations and corporations
Eastwood marches to his own drummer, often eschewing the Hollywood publicity and attention so many other personalities crave. He lives in Northern California, rarely gives interviews, and avoids the spotlight whenever possible. In fact, his personal of the cultural loner and reluctant hero on the screen seems to fit him perfectly off the screen, as well. Eastwood's films almost always embody good against evil and the very nature of the
Assignment : TarantinoAuteur theory suggests that directors place a personal stamp, imparting a unique signature style and voice to each film they make. There are several filmmakers that support auteur theory, such as Hitchcock and Spielberg. Tarantino is another filmmaker whose style is unique, and whose films are almost instantly recognizable because of their unique approach to filmmaking. In some cases, a film is characterized by its director in a