Shakespeare Used Music In His Works William Term Paper

¶ … Shakespeare used Music in his Works William Shakespeare (1564-1616), English playwright and poet, is recognized all over the world as the greatest dramatist of all times. His plays have been performed more times than those of any other dramatist and have been translated in almost every major language. (Kastan) While many aspects of Shakespeare's plays have been discussed and analyzed, it is perhaps not so widely known that music has also played an important role in many of his plays. In this paper we shall review the historical background of music in the Shakespearian era and discuss how and why music was used in Shakespeare's works. The type of music used by the playwright as well as some examples of music in specific plays shall also be described.

Historical Background of Music in the Shakespearian Era

The 16th century in which Shakespeare was born was a period when England was emerging as a strong Protestant nation. The arts and literature were flourishing and Queen Elizabeth was a great patron of music in particular. Street musicians playing the bass violist or tabor and the pipe or ballads and traditional folk songs were a common sight in the busy markets of the time. ("Music of the Streets & fairs") Sophisticated madrigals and instrumental music was played in the Court and in the houses of the educated. Shakespeare must have been exposed to both types of music, which he later used in his plays. ("Shakespeare and Music") It was customary in Tudor and Stuart drama to include at least one song in every play. Only in the most profound tragedies, no music was used except for the sounds of trumpets and drums. In his later tragedies, Shakespeare defied even this practice...

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(Springfels)
There were different ways in which music was incorporated in the plays of the period. A special musicians' gallery above the stage was common; sometimes music was played directly on the stage, and occasionally even from under the stage to achieve special effects. ("Shakespeare and Music") In general, dramas produced at court were much more lavish than those staged by the professional companies in public theaters; hence the music of both differed. While large instrumental ensembles provided incidental music accompanying songs in the plays staged at the court, the ones produced in public theaters had to make do with much-reduced musical resources. In such plays it was common for one boy-actor to sing and play an instrument or, sometimes, for adult actors, especially those specializing in clown roles, to sing as well. (Springfels)

Music in Shakespeare's Plays

Shakespeare recognized the ability of both instrumental and vocal music to adapt to the stage. Although he sometimes used new compositions (i.e., by writing his own lyrics) most of the songs used in his dramatic works were previously written songs (often popular music such as ballads that were familiar to the audience) adapted to fit the work. (Lackey)

Vocal Songs

Shakespeare also adopted the prevalent practice of assigning mainly boy-actors to sing the vocal songs in his plays. The characters assigned to sing the songs in his plays are usually the servants, clowns, fools, rogues, and minor personalities. Major characters are rarely made to sing. Examples of boy-musicians singing are the drinking song, "Come, thou monarch…

Sources Used in Documents:

Works Cited

Lackey, Stephanie. "Shakespeare and his Music." October 12, 1998. Vanderbilt University's MusL 242 Gateway Page. April 25, 2003. http://www.vanderbilt.edu/Blair/Courses/MUSL242/f98/slackey.htm

Kastan, David Scott. "William Shakespeare." Article in Encyclopedia Encarta. CD-ROM Version, 2003

Music in the plays." The Internet Shakespeare Editions. March 1996 (Updated January 26, 2003). April 25, 2003. http://web.uvic.ca/shakespeare/Library/SLTnoframes/stage/music.html

Music of the streets and fairs." The Internet Shakespeare Editions. March 1996 (Updated January 26, 2003). April 25, 2003. http://web.uvic.ca/shakespeare/Library/SLTnoframes/literature/streets.html
Springfels, Mary. "Music in Shakespeare's Plays." Shakespeare and the Globe: Then and now. Britannica online. N.d. April 25, 2003. http://www.britannica.com/shakespeare/esa/660007.html boy-singer, Jacke Wilson, became famous and his name is acknowledged in a 1623 production of Much Ado about Nothing (Springfels)


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