Sound In A Scene From Term Paper

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Henry Hill may be one of them -- but at the same time, he is not: their dialogue is fatuous, unreflective, and insipid. Their voices bounce against the voice of the narrator and shatter into pieces. The contrapuntal use of sound as the scene continues reveals a gangster world that is as fragile as it is glamorous -- the slightest glitch could bring the whole thing to a crash. Indeed, this entire world is fake -- from the "glitz" to the laughter -- everything is forced: nothing is real. In fact, the most "genuine" thing seems...

...

"Abstract for 'let it bleed,' the Music in Goodfellas." Popular Music
and Society vol. 15, no. 3, 1991.

Mast, Gerald. A Short History of the Movies. NY: Pearson Longman, 2006.

O'Steen, Bobbie. The Invisible Cut. Studio City, CA: Michael Wiese Productions.

Scorsese, Martin, dir. Goodfellas. LA: Warner Bros., 1990.

Sources Used in Documents:

Works Cited

Robert Condren. "Abstract for 'let it bleed,' the Music in Goodfellas." Popular Music

and Society vol. 15, no. 3, 1991.

Mast, Gerald. A Short History of the Movies. NY: Pearson Longman, 2006.

O'Steen, Bobbie. The Invisible Cut. Studio City, CA: Michael Wiese Productions.


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