The Film Never Cry Wolf

Carroll Ballard’s 1983 film Never Cry Wolf reveals a complex web of relationships between traditional cultures like the Inuit and the urban denizens of what is ironically the same country. Similarly, the film explores the great divides between humans and other animals who cohabit the earth. The great divides between human beings are ultimately revealed to be even more nuanced and difficult to resolve than those that exist between different species. In the film, Tyler learns how to bridge some of the chasms between his post-industrial Canadian mentality and the traditional knowledge embodied by Ootek. Tyler also narrows the great divides between wolves and people, as he learns how to communicate with wolves on their own terms. The most complicated character in Never Cry Wolf is Mike. Mike is bicultural, speaking both the Inuit language and English. He is also caught between worlds: the world of his elders and traditional ecological knowledge, and the modern world of men like Tyler.

Interestingly, it is Mike who exploits the natural resources of his native land, killing the wolves for his own personal financial gain. Yet Mike would not have needed to kill George and Angeline if the Inuit people had the same access to affordable healthcare as Tyler does. The gap between rich and poor, between the socially privileged and the socially disadvantaged, is also explored in the film. Tyler can more readily forgive Mike for his ethical transgression than he could have to Rosie, who he believes killed the wolves.

The fact that Tyler retains a deep respect for Inuit culture and withholds judgment on Mike shows that he has made great strides in bridging the great cultural divides between rural and urban, traditional and modern, poor and rich, indigenous and settler. It would have been easy for Tyler to criticize Mike based on his cultural values and social norms. However, Tyler also likely would have not learned as much about the wolves were it not for Mike and Ootek. Tyler also does not have the self-righteous attitude that he might have if he were a different person. In fact, Tyler capitalizes on TEK for his academic research. The gap between TEK and academic knowledge may not be as wide as the audience had suspected before watching the film.

Likewise, the gap between wolves and people is also not as great as it would have seemed. Ballard makes a point to show that Mike does not wantonly kill wolves; he kills them for his own financial survival and for upward social mobility. His exploitation is on a far smaller scale than the exploitation of native peoples by the white settlers, or than the exploitation of natural resources by capitalist economies. Therefore, the killing of two wolves needs to be placed in greater perspective in order to bridge the divide between cultures. The gap between wolves and people seems insurmountable with one being a wild animal species and the other fully dedicated to civilization, technology, and reason. If wolves represent the indigenous people and their TEK, then Tyler represents the entirety of science and academia. Their different approaches to reality need to converge for mutual understanding and social harmony. Tyler could genuinely have gotten killed either by the frigid temperatures or by the wolves, had he disrespected either. Likewise, Tyler could have died without the knowledge offered him by the Inuit.

Wolves are incapable of bridging the gap between species because they cannot master human language. Yet wolves do have a language, both a verbal/aural one in their howls and growls and also a nonverbal system of communication. Wolves create territorial boundaries consciously, as do humans, by marking their territories and using the pack to create physical barriers. Tyler learns the language of the wolves, even bridging the major communication gap by mimicking the lupine sounds on his instrument. Bridging great cultural divides, between wolves and people or between different cultures, requires effort, patience, and willingness as demonstrated by Tyler in Never Cry Wolf.


References

Ballard, C. (1983). Never Cry Wolf. [Feature Film]