Verified Document

Traditional Story Of The Underdog Term Paper

And indeed this is what happened, in actual fact, to the 'underdog'-racing racing prospect, named Seabiscuit, when the horse was a colt. Like Malcolm X's parentage to two strong parents, Seabiscuit, the direct descendant great racehorse Man O'War, was born with great geological assets of speed and intelligence. But the horse was underestimated, and eventually used to train more promising racehorses by having jockeys pull up the animal, so that the animals being 'really' trained could gain confidence, however false. Seabiscuit, like Malcolm was judged harshly for his appearance. In Seabiscuit's case, he was born a small animal in a sport that favored giants like the towering stallion War Admiral. Seabiscuit was knock-kneed and had what some observers called an 'eggbeater' gait, rather than a proper galloping stride. This was why Seabiscuit was put forth at a claiming race for a cheap purse, and the owner who was eventually to acquire him did so for only a few hundred dollars. In the true spirit of American capitalism, this initially small outlay was to recoup much in the way of profits and fame.

The men who trained and owned the little racehorse were similarly outcast when their paths crossed with Seabiscuit's path. Charles Howard, the owner, had lost his wife. Tom Smith, Seabiscuit's trainer was a very quite, almost mute man, with unconventional training tactics, and an inability to relate to the press. Red Pollard, Seabiscuit's jockey, was too tall to be competitive as a jockey in most races, and was blind in one eye. Yet, despite being lamed during his own career, Pollard had a strange rapport with the ugly, but plucky horse.

Seabiscuit was an athlete with many physical obstacles as well -- a tendency to put on weight, a love of sleep, as well as the fact he always looked like he was about to go lame. But through sheer heart, pluck, determination, and the fact that the strange trio of Pollard, Smith, and Howard seemed to understand...

Perhaps one reason Malcolm X's Islamic conversion story, of a coming back from the spiritually dead, did not have as much resonance during its day was that the early 1960's when Malcolm X had his greatest influence was a time of great optimism and faith in the American dream of possibility, which Malcolm was so critical of in his speeches.
Also, unlike the more uncomplicated rags to riches tale of Seabiscuit, Malcolm demanded change of his listeners who would become his followers; even through Malcolm's story was also an act of affirmation of faith in the self. Malcolm called upon his Black listeners to give up their lives of crime and of attaining white material success, and instead strive for the harsher and long-term gratification of community unity and spiritual rewards for their children and children's children. However, today, after his death, Malcolm X, like Seabiscuit during the horse's heyday of popularity, has become a symbol of promise. Particularly for young Black men, although for many others who have read Alex Haley's version of his Autobiography, or seen Spike Lee's cinematic incarnation of the tale, Malcolm X stands along with Seabiscuit as a triumph over societal limits. But neither of these individuals was truly an underdog, in the sense that both individuals showed early promise, promise that society attempted to stifle or refused to recognize. And they rose not simply though their own self-determination, but with the help and mentoring of others, in Malcolm's case, through the social institutions of Black Islam, and in Seabiscuit's case, in the hands of individuals who believed in the horse's potential glory.

Sources used in this document:
Seabiscuit was an athlete with many physical obstacles as well -- a tendency to put on weight, a love of sleep, as well as the fact he always looked like he was about to go lame. But through sheer heart, pluck, determination, and the fact that the strange trio of Pollard, Smith, and Howard seemed to understand Seabiscuit and believe in him, enabled the racehorse to realize his early promise.

The story of the little racehorse that could overcome such tremendous early obstacles had great resonance during the American Great Depression, the depression that had such a negative impact upon young Malcolm X's early childhood. Perhaps one reason Malcolm X's Islamic conversion story, of a coming back from the spiritually dead, did not have as much resonance during its day was that the early 1960's when Malcolm X had his greatest influence was a time of great optimism and faith in the American dream of possibility, which Malcolm was so critical of in his speeches.

Also, unlike the more uncomplicated rags to riches tale of Seabiscuit, Malcolm demanded change of his listeners who would become his followers; even through Malcolm's story was also an act of affirmation of faith in the self. Malcolm called upon his Black listeners to give up their lives of crime and of attaining white material success, and instead strive for the harsher and long-term gratification of community unity and spiritual rewards for their children and children's children. However, today, after his death, Malcolm X, like Seabiscuit during the horse's heyday of popularity, has become a symbol of promise. Particularly for young Black men, although for many others who have read Alex Haley's version of his Autobiography, or seen Spike Lee's cinematic incarnation of the tale, Malcolm X stands along with Seabiscuit as a triumph over societal limits. But neither of these individuals was truly an underdog, in the sense that both individuals showed early promise, promise that society attempted to stifle or refused to recognize. And they rose not simply though their own self-determination, but with the help and mentoring of others, in Malcolm's case, through the social institutions of Black Islam, and in Seabiscuit's case, in the hands of individuals who believed in the horse's potential glory.
Cite this Document:
Copy Bibliography Citation

Related Documents

Traditional Literature
Words: 1363 Length: 5 Document Type: Essay

Folktale: Hansel and Gretel Hansel and Gretel by the Brothers Grimm is a narrative tale and one can easily read it aloud to children. It is about two siblings whose father is a poor woodcutter and can no longer afford to feed the family. The cruel and selfish mother convinces the woodcutter to abandon the children in the forest, which he sorrowfully does. The children make their way back home the

Fences & Topdog/Underdog the Course of Dramatic
Words: 1499 Length: 4 Document Type: Essay

Fences & Topdog/Underdog The course of dramatic literature reveals truths of the human condition. Drama is a study of human nature, its tendencies and reactions, its inner-most thoughts. Every play chooses as its theme various facets of humanity to study in various contexts, and some explore multiple ideas, indeed, the more, the richer the play. Take, for example, Fences by August Wilson, and Topdog/Underdog by Suzan-Lori Parks, each of which

Paradise Lost in His Epic
Words: 1576 Length: 5 Document Type: Essay

332-333, 336-337). The fallen angels' response to Satan's call is the final confirmation of his character, because it demonstrates how he is able to maintain the respect and interest of his followers even though it appears as if they have been stripped of everything. In this sense, Satan is a kind of idealized revolutionary leader, outmatched by the "Almighty" but unwilling to give up, all the while maintaining the respect

Dilmah Tea Stakeholder Analysis Customer Segments There
Words: 2604 Length: 9 Document Type: Essay

Dilmah Tea Stakeholder Analysis Customer Segments There are two ways of looking at Dilmah's customers. The buyers -- to whom Dilmah sells -- are the supermarkets and wholesalers that carry the tea. The other customer group is the end user. Tea is a mass market product that is consumed by a broad swath of the population, and to the extent that there is a definable "typical" demographic for tea consumption, this will vary

Slumdog and Transcultural Nursing an Analysis of
Words: 2234 Length: 7 Document Type: Essay

Slumdog and Transcultural Nursing An Analysis of Slumdog Millionaire and Transcultural Nursing A number of themes are introduced within the first few minutes of Danny Boyle's 2008 Slumdog Millionaire thanks in due part to his quick-cut method of editing. What the viewer sees is an Indian culture permeated by and in conflict with both itself and Western ideals. The first contrast the film illustrates is between the distinctly American game show "Who

Pictures and Stories
Words: 4029 Length: 9 Document Type: Term Paper

PARK The aim of my project was to create a short story, which combines the textual elements of fiction, plus illustrations ranging from digital photographs to illustrations. My goal was to be experimental and to satisfy a need that has not been done before. I was frustrated by the fact that there are hardly any fictional works that combine both text and picture and illustrations aimed at the adult audience. Currently,

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now