In this image a large group of Pakistani people are in a mob/protest that is clearly against the United States, most likely relating to the U.S.'s use of Pakistan in conducting its war against the Taliban in Afghanistan. This is known because at the center of the group is a large, upside down American flag being burned and the surrounding individuals cheering in support.
Within this crowd are numerous cameras and video recorders capturing the flag burning, showing that the act is being done not for the individuals at the event but for the effect it will have on the individuals watching its portrayal through video, photos and news. If this image was not broadcast, then it would have a limited effect as its message would be only conveyed to those who already support the group's cause. However, by taping it and broadcasting it, it can be viewed by a larger audience and have a recruiting effect.
In other words, without the cameras the event is insignificant and ineffective but with the cameras it becomes a successful publicity stunt.
If the image was a close up of the burning flag, it would still have a powerful effect, but its context would be lost. Seeing the group who is burning the flag puts the image into the international context of terrorism and thus makes it both more relevant and more powerful.
This image has taught me how an event is effected by the use of mass media. Because of mass media, a simple isolated act can gain national, and...
James Bond is presently one of the principal sexual concepts that the film puts across. Daniel Craig's Bond is no longer seen as a very effective killing tool, as it shown as an object of admiration. Craig's physical appearance is no longer a crime deterrent, as it is actually used with the purpose of impressing viewers. This Bond is no longer yelling, as he speaks in a gentle voice and
In the cover photo, Oogy seems to be looking directly at the viewer. His gaze is strong yet steady and calm. One expects a pit bull to look threatening, but with Oogy's missing ear and crooked mouth, he does not look threatening at all. His direct gaze immediately engages the viewer and invites empathy. Our response is a purely emotional one. The cover photograph is hard to look at because
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