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Aesthetics
Widdowson claims that television and film do not fit the definition of "literary" objects. For one, a script for film or television production has no autonomy. As Widdowson points out, "while there is always a script on which the finished product is based, the script is granted little status or autonomy as an object of reading in and for itself" (124). Of course, an interested party can seek out the script for study but scripts are rarely encountered for their literally literary function: as pieces of writing that exist for the sole purpose of being read as texts.
Moreover, Widdowson notes that the finished product in film or television is "always already mediated/interpreted" in order to become a motion picture. In other words, the director, actors, and cinematographers alter the original script in fundamental...
These fundamental means of altering the original (or, as Widdowson calls it, "originary") product, the script, are exactly what makes film and television not have the same aesthetic effect as other literary forms like poetry. With film and television, the problem of interpretation exists. The same script can be interpreted in a number of different ways, just as a poem written by an ancient Greek can be interpreted (translated) in different ways. What one person believes to be the original intent of the poet might not be what another believes: this is why there are differences in aesthetic effects when reading different versions of the Bible, or Homer, or other seminal pieces of writing in archaic languages. Interpretation problems occur even with living languages, as two different translators will render the poetry of Borges or Rilke in completely different ways, using different diction. A resulting aesthetic effect will be unique for each reader, too. The same script in the hands of two different directors will also be rendered totally differently.
As Widdowson notes, the word cinematic itself…
According to Kenney, it is the responsibility of clinicians to use their sensory processes to determine how these communications are articulated and to then to reflect them back to the communication system that is experiencing difficulties. This recursive mirroring process is described by Kenney as being "sociofeedback" that people can use to help readjust their relationships with their environment. In sum, the author maintains that it is the clinician's mirroring
Now, turn to Arizona Green Tea with Ginseng. The packaging for the single serving uses the label that is mint green with an oriental flavor, suggesting the benefits of Zen and the addition of ginseng and honey. Now contrast that with the Family One Gallon size, in a clear plastic, industrial container that looks more like detergent or motor oil than a delicious health beverage. Are the products identical --
..]. Furthermore, studies indicate that between 60 and 80% of college women engage in regular binge eating and other abnormal behaviours that fall short of the criteria set by clinical scales. Many college women who are at normal weights continue to express a strong desire to be thinner and to hold beliefs about food and body image that are similar to those of women who have actual eating disorders" (Hesse-Biber
Threats Luckily, Medicis Aesthetics' capital position as a subsidiary of Medicis Pharmaceutical Corporation also enables it to better weather external threats to the company, which certainly exists for the industry as a whole. Threats of litigation are a very real factor of how this industry does business, especially with certain product lines. In addition, the industry is now facing the threat of a prolonged recession, which many analysts claim we are
psychoanalytic as portrayed by H. Segal. It has sources. Psychoanalytic approach to aesthetics can best be understood by understanding the theory/ies that guide us on the study of this particularly complex discipline. The theory and guidelines of psychoanalytic approach enable us to offer some insight into the worlds of literature, art and music, and on the other hand, it also allows us to better understand artists' perception and inner approaches
African Aesthetics Artefacts from Africa exhibit their cultural context. Indeed, there is value in emphasizing formal aesthetics of objects and their expression of the religious and moral values (Ray, 1993) There is a moral basis in African aesthetics. One term that epitomises such truth is that in many African languages, there is a common usage of the same word that means good and beautiful. This is in line with the meaning of