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Scholars have noted that the play includes a cultural critique of the Elizabethan era in which it is set (Lamb 93-124). Other critics have noted that the play may contain quite subversive ideas regarding the fluid nature of sexual identity (Green 369-370). Whatever way you choose to interpret a Midsummer Night's Dream, the play's goofy characters, outrageous situations, and rich language have ensured the play's status as a classic work of English literature.
Bibliography
Casey, Charles. "Was Shakespeare Gay? Sonnet 20 and the Politics of Pedagogy."
College Literature, Fall 1998. 29 November 2007. http://findarticles.com/p/articles/mi_qa3709/is_199810/ai_n8827074.
Gibson, H.N. The Shakespeare Claimants: A Critical Survey of the Four Principal
Theories Concerning the Authorship of the Shakespearean Plays. New York: Routledge, 2005.
Green, Douglas E. "Preposterous Pleasures: Queer Theories and a Midsummer Night's
Dream." Kehler, Dorothea, ed. A Midsummer Night's Dream: Critical...
New York: Garland Publishing, 1998.
Kolin, Philip C. Shakespeare and Southern Writers: A Study in Influence. Jackson, MS:
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Lamb, Mary Ellen. The Popular Culture of Shakespeare, Spenser, and Jonson. New York:
Routledge, 2006.
Millgate, Michael, and Keith Wilson. Thomas Hardy Reappraised: Essays in Honor of Michael Millgate. Toronto: University of Toronto Press, 2006.
Pequigney, Joseph. Such is My Love: A Study of Shakespeare's Sonnets. Chicago:
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Schoenbaum, Samuel. Shakespeare's Lives. Oxford: Oxford University Press, 1991.
Shakespeare Voted Millennium's Best Writer." BBC World News. 1 March 1999. BBC
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Shakespeare, William. A Midsummer Night's Dream. The Riverside Shakespeare. Ed. G.
Blakemore Evans and J.J.M. Tobin. Boston: Houghton Mifflin, 1997, 256-283.
Bibliography
Casey, Charles. "Was Shakespeare Gay? Sonnet 20 and the Politics of Pedagogy."
College Literature, Fall 1998. 29 November 2007. http://findarticles.com/p/articles/mi_qa3709/is_199810/ai_n8827074.
Gibson, H.N. The Shakespeare Claimants: A Critical Survey of the Four Principal
Theories Concerning the Authorship of the Shakespearean Plays. New York: Routledge, 2005.
Online Network. 29 November 2007. http://news.bbc.co.uk/1/hi/world/286082.stm
He forgives her and order is restored in the fairy world thanks to the proper balance of love between head and heart. As for the actors who go into the woods to prepare for their play before the king and queen of Athens -- they too show a side of love. Bottom shows what happens when one lacks imagination: he is the most unimaginative actor in the history of theater
Even fairies struggle with love and romance. Oberon and Titania bicker; because of Puck's potion, Titania even falls in love with an ass. Puck's potion illustrates the fleeting nature of sexual attraction, too. At the opening of a Midsummer Night's Dream, Demetrius is in love with Hermia but Hermia is in love with Lysander. Lysander returns the affection. Hermia's best friend Helena, on the other hand, does love Demetrius and
Midsummer and Elizabeth A Midsummer Night's Dream is a comedic drama that centers on marriage. Indeed, it is traditionally held that Shakespeare penned the play for a friend's wedding; therefore, it should be no surprise to find that the theme of marriage runs through and through Midsummer, from the young adults to the nobility (and even to the fairy world, where marital strife is encountered). Yet, being penned in an age
Shakespeare play a Midsummer Night's Dream. http://s The setting of William Shakespeare's A Midsummer Night's Dream is extremely important to the correct interpretation of this work of literature, as well as to the development of its plot. Although the setting -- which is explicitly the time and place in which actions in a work of literature take place -- are of importance in any drama, it is all the more
The soul of girl/woman Jenna is returned to normal at the end of the film, and the girl's knowledge about working as an adult editor on a magazine, the true nature of her chief junior high school tormenter, and Matt's worth as an older man make her a more mature thirteen-year-old, thus the delving into fantasy make the real world 'better,' as in "Midsummer," and more moral and thus more
However, Titania appears in this scene and so does a fairy who is probably female. The biggest problem for the audience would be Titania, who is supposed to be beautiful and wise, which helps the audience understand why Oberon is so obsessed with gaining her love. If Titania is not believable, the play will not work. This scene also needs to show Oberon's weak will, but not turn him