Frederico Fellini is known for his dreamlike directorial style, and the semi-autobiographical film 8-1/2 is certainly no exception. Fellini paved the way for other fantasy and magical realism films, encouraging the likes of Terry Gilliam and Guillermo del Toro to create their own masterpieces. Like many Fellini films, 8-1/2 is not as much about plot or characterization as it is about visual imagery. Most Fellini films are about the medium of film itself, but 8-1/2 even more so because it features the interior landscape of the mind of a director named Guido. Guido, who symbolizes Fellini, feels trapped in the mundane world. Several scenes establish how Guido feels about the ordinary workaday world, such as the opening dream sequence in which he is stuck in traffic and a subsequent scene in which he rides in an elevator surrounded by the uncomfortable silence of strangers. Filmmaking is how Guido (and Fellini, and directors like them) liberate themselves from the confining, constricting aspects of daily life. The art the filmmaker produces is completed as a means of psychic discharge and serves a secondary importance as a means of inspiring the audience to do the same:...
The goal of the journey is not just to escape life, but also to rediscover purpose of life. Through film, life becomes more meaningful for Guido, as it would have for Fellini.Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now