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Such a confrontational strategy represents a subversion of the Modernist paradigm that supposedly views the work of art as being separate from the viewing experience. When dealing with a live human being presented as an "object," however, one is forced to question that stance of critical distance, as it dissolves in front of our very eyes.
Of course, a history of Native Americans' engagement with Modernism would require a much longer essay - probably even an entire volume. Instead, what we hope to have managed in this short piece is to provide some insights into the ways in which the Modernist paradigm has constantly been challenged by the work of Native American artists throughout the post-war period. The ironic thing is that a lot of this work would fit quite comfortably into the Western canon, as it has been traditionally...
At the same time, these artists are coming from a place of exclusion from that canon by virtue of their ethnic identity, which they nevertheless have sought out novel ways of asserting through their work.
Fig. 1. Comrade in Mourning by Allan Houser (1949)
Fig. 2. White Man's Moccasins by Lee H. Marmon (1954)
Figure 3. The End of the Trail by Fritz Scholder (1970)
Figure 4. Self-Portrait in the Studio by T.C. Cannon (1975)
Figure 5. Artifact Piece by James Luna (1987)
Bibliography
Rushing, W. Jackson III, ed. Native American Art in the Twentieth Century. New York:
Routledge, 1999.
Wyckoff, Lydia L., ed. Visions and Voices. Tulsa, OK: Philbrook Museum of Art,…
Bibliography
Rushing, W. Jackson III, ed. Native American Art in the Twentieth Century. New York:
Routledge, 1999.
Wyckoff, Lydia L., ed. Visions and Voices. Tulsa, OK: Philbrook Museum of Art, 1996.
In essence, this painting "mixes a toothpaste smile with the grimace of a death's head" and symbolizes the true work of an American "action" painter (de la Croix & Tansey, 774). Another great example of an American abstract expressionist master is Mark Rothko (1903 to 1973), who emigrated to the United States in 1914 from Latvia with his family to escape Czarist Russia and its strict policies towards Jews. Although
Such works bring to mind Freud's theory of genital anxiety, which is present in both men and women. At the same time - and this is where Bourgeois's revolt against myth occurs - what would otherwise be seen as a fetish object for men is deployed here as a weapon instead. Thus, by subverting the feminine into a weapon, Bourgeois is simultaneously responding to the psychic myths of Western
Turtle shell rattles have been used for countless centuries. Such rattles have been recovered from ancient sites in the southwest and in the Mississippian civilizations. The turtle rattle was also a musical instrument in ceremonial use. One of its most important functions was its significance in the False Face ceremonies. One of the most distinguishing features of the Iroquois belief system is the reliance on the mask for religious and
Alexander Hamilton carried on an affair with the wife of "a notorious political schemer," Maria Reynolds. Andrew Jackson married Rachel Jackson before her divorce from Lewis Robards was finalized and therefore was accused of marrying a married woman. Jackson's opponent in 1828, John Quincy Adams, was in turn accused of "corrupt bargaining" during his term. Jackson also championed Margaret O'Neill Timberlake, who married his secretary of war, John Eaton.
The Seven Years War saw Britain established as the greatest colonial power, with control over India and North America seemingly secured, while Prussia emerged as the greatest power on the Continent, and the dominant force inside Germany, reducing still further the power of the Holy Roman Empire and Habsburg Austria. Frederick II of Prussia (the Great) emerges as the most remarkable leader of the war. Prussia was the smallest of
Fashion The misappropriation of Native American imagery, iconography, cultural ideology, and fashion is nothing new. After all, a slew of professional sports teams continue to run with Indian names and logos in spite of the controversy in doing so. A few sports teams, like the Atlanta Braves Major League Baseball franchise, boast insidious "tomahawk" chants during their games. The latest trend in Native misappropriation is not much more tasteful than a Cleveland