Adaptation theory, memoir, and dance
Specific Aims
The writer of the grant proposal introduces adaptation theory for the English literature review related to dance. Writer notes how dance has been used to capture literature. However, what has not been explored is dance becoming literature. Meaning notable American modern dance choreographers and their memoirs, how-to guides, autobiographies, and criticisms. These various forms of literature on dance provide an idea of how dance can be turned into something worth of review from a literary standpoint. Moreover, the writer points out the choreographic memoir as the best example of such form.
Therefore, the writer aims to explore choreographic memoirs and autobiographies and how they should be considered their own literary genre to allow future generations to better understand dance in a literary sense. By performing various choreographic memoirs, the writer wishes to discover the criteria and components for the ‘new genre’. This literary genre of choreographic memoir introduces an innovative interpretation of dance from a resource that is varied and includes a plethora of experiences from dancers who later became choreographers.
Although this seems innovative, inventive, and interesting, it does not feel adequate to achieve such specific aims. The problem with this exploration of literature is the lack of qualitative meaning behind such a review. The writer needs to explore the history of dance and how it became that so many choreographers wrote autobiographies and memoirs. By understanding the periods in which these dance authors wrote about their lives, it further submerges the mind into the period and provides clarification as to why such a genre should exist in the first place. Although the review does aim to be varied and include many various experiences, the importance of history and context...
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