Shakespeare Iago's Character In Othello This Paper Term Paper

PAGES
3
WORDS
1089
Cite

Shakespeare Iago's Character in Othello

This paper analyzes Iago's speech to Roderigo in "Othello," by William Shakespeare. Specifically, it discusses what the speech reveals about Iago's character.

Does the play ultimately seem to suggest that Iago is right? Iago is a tortured character who displays many different and unhealthy psychological traits. He ruins the lives of those around him, and the play clearly shows he is a jealous, unhappy, and scheming man who cannot be happy, so he decides no one else can be happy, either. He is central to the play because he causes so much death and unhappiness. It is clear his garden needs to be tended for a long, long time to make it healthy.

Iago's Character in Othello

Iago could be one of Shakespeare's most evil and frightening villains. He has no remorse, and is totally consumed with his own hatred of Othello. It colors everything he does in the play, and has clearly turned him into a bitter and spiteful man. In his speech to Roderigo in the First Act, Third Scene of the play, he reveals quite a bit about his own personality and psychology. It is clear he is not a kindly, romantic, or loving man. (A man that kills his own wife is none of these things). He says, "our bodies are gardens," (Shakespeare 1:3:315) which at first seems a bit romantic and earthy, but then compares the garden's fruitfulness with our own wills. This makes sense, because we are responsible...

...

He is clearly a pessimist when he says, "the blood and baseness of our natures would conduct us to most preposterous conclusions:" (Shakespeare 1:3:322). He feels we are nothing more than base humans, who are led by our emotions and our sexuality.
Iago is even more evil because he schemes against his leader, who is supposed to be his friend. It is clear he is angry about being passed over for promotion, but if Othello understood even a little bit about this man, it is clear why he would pass him over. Iago is a man who allows his emotions and hatred to rule him, and he is not the kind of man a leader would want behind him in battle. In turn, Iago convinces Othello that Desdemona is unfaithful to him, and one reason for this is his cynical and unemotional nature. Perhaps he is jealous that two people can love each other so much. He says, "but we have reason to cool our raging motions, our carnal stings, our unbitted lusts; whereof I take this that you call love to be a sect or scion" (Shakespeare 1:3:323-324). This means he looks at love with scorn, that only a fool would indulge in, and in the garden, it is simply a leaf or a division of a plant, dividing someone into two people, and ruining their purpose. He is not only cynical, he is unhappy, and this may be one reason he is so determined to ruin the people around him. Clearly, his garden is full of weeds, and he has not tended it carefully.

Iago has nothing good to say about love or…

Sources Used in Documents:

Works Cited

Shakespeare, William, and A.H. Bullen. The Works of William Shakespeare Gathered into One Volume. New York: Oxford University Press, 1938.


Cite this Document:

"Shakespeare Iago's Character In Othello This Paper" (2003, December 10) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/shakespeare-iago-character-in-othello-this-161673

"Shakespeare Iago's Character In Othello This Paper" 10 December 2003. Web.25 April. 2024. <
https://www.paperdue.com/essay/shakespeare-iago-character-in-othello-this-161673>

"Shakespeare Iago's Character In Othello This Paper", 10 December 2003, Accessed.25 April. 2024,
https://www.paperdue.com/essay/shakespeare-iago-character-in-othello-this-161673

Related Documents

The most important feature of Iago is his permanent dissembling and his distortion of reality. This is the tool that he uses to deceive the others and to make them comply to his plan. Iago's permanent dissembling is very important for understanding the motivations behind his acts. Even from the first scene of Act I, Iago declares that he acts so as to reach his own goals, and he

Iago in Othello Othello is one of the most important and popular Shakespeare tragedies where the playwright highlights the maliciousness of human nature and the way it can destroy some naive souls. Iago is the villain in this play who is presented as an epitome of deceit and malice. However this has been done while keeping the character wrapped in thick clouds of honesty and truthfulness. This is a strange paradox

Shakespeare's Characters: The commencement of William Shakespeare's work can be traced to the latter quarter of the fifteen hundreds when he started writing and performing plays. In his work, Shakespeare basically considered the current issues, which contribute to debates among scholars on whether his works should be regarded as contemporary writing or universal philosophical statements. His focus on current issues was mainly geared towards reconstructing the existing political and social

Othello and Death Knocks
PAGES 3 WORDS 1045

Othello and Death Knocks: Two Characters Who Do Not Know Themselves The definition of a tragic hero is a great man who is brought low by a single, yet fatal flaw within his character. Shakespeare's Othello can be said to have many flaws as well as virtues -- he is a great general, but he is also a poor judge of character, extremely credulous, and jealous. But all of these flaws

Othello in a Movie This
PAGES 3 WORDS 1344

" (Blackwelder) Like Shakespeare's original and Parker's version, Odin's fame and popularity and his love for Desi Brable played by Julia Stiles who is the daughter of the school's headmaster just tees Hugo off. With jealousy and envy guiding him, Hugo plots to bring Odin down. In Parker's version Othello, Iago is given the opportunity to take over the movie by being the one who tells the story. When Fishburn as

Othello the Moor of Venice
PAGES 5 WORDS 1772

Othello, The Moor of Venice There are a number of very specific literary conventions that a dramatic work must have to adhere to Aristotle's multi-faceted definition of a tragedy. One of the principle components of this definition is that a tragedy chronicles the downfall of a tragic hero. Tragic heroes are well-renowned individual with a wonderful set of virtues descended from decidedly noble lineages who are plagued by one (and only