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9. How did the new psychology influenced the birth of key movements in the arts: expressionism, dada, and surrealism? Surrealism, dada, and expressionism represent three generations of avante garde protest against "rational" modernism and the meaningless, war and violence filled society that it brought about. They were a reaction against modernism and their great grandchild, postmodernism continues this tradition of social protest. The new psychology of individuals such as Freud and Jung laid bare the "rational" bases of Western culture and showed that we were little better than the mindless primitives that we claimed not to be. Surrealism, dada, and expressionism are merely avante guard reactions against the meaninglessness and nihilism of modern society and it illustrates this by accentuating this and bringing it forward. It is meant to offend and bring about revolutionary change in the process via the social consciousness it produces.
10. Why did the airing of HG Well's novel "War of the Worlds" on the radio cause so much panic? First of all, Orson Wells wanted the effect of a regular news broadcast with the...
From listening to the radio program mp3, one can also hear that it ran without commercial interruptions. This would have heightened the effect that it was a real event in Grover Mill, N.J. The first 55 1/2 minutes of the broadcast were precisely like this, so no one could really tell the difference. There were only three disclaimers through the whole broadcast and the actors only broke character at the very end. It is understandable that since people got most of their news from radio newscasts, they were preconditioned to accept what they heard, especially considering the pre-war tension present in the air. In addition, rumors would have spread, fueled by word of mouth as people who did not have phones went to their neighbors to get the news and see what was going on. Interestingly, the broadcast raises the issue as to whether or not the public would welcome an alien visit or would panic like they did in 1938.
Works Cited
Carsten, Francis Ludwig. (1961). The New cambridge modern history: the ascendancy of france,…
Works Cited
Carsten, Francis Ludwig. (1961). The New cambridge modern history: the ascendancy of france, 1648-88. Cambridge, England: Cambridge University Press.
As the various are works are depicting the two as a perfect match. A good example of this can be seen in the painting the Meeting of Marie de ' Medici and Henry IV at Lyon. Where, Rubens is showing the two in heaven, looking down on themselves when they were younger riding lions. This is important, because the image of them in heaven is highlighting how they are
In this regard it should also be noted that the architect faced a number of obvious constraints in his design of the Square. These constraints were from existing structures such as the Vatican Palace as well as the granite fountain. To incorporate these constraints into his design " Bernini made the fountain appear to be one of the foci of the ovato tondo embraced by his colonnades and eventually matched
Power Politics and Glory Example 1: The Great Wall Of China It is a common phenomenon for an object to be associated with the ruler or the country in question. The Great Wall of China, where not only served as a defense system, but also consolidated the image of China as a mighty power for many years. The Wall -- acted more as a psychological defense mechanism -- giving the image
The rococo was aimed towards the French court and nobles. The main message was not a religious one, but aimed the upper classes and focused on their lives, houses and celebrations. In France this style gave way to the austere neoclassic style at the end of the xviii century and disappeared with the French revolution in 1978, suddenly and completely. Neoclassicism appeared as a return to the classical ideology in
life in the Renaissance? Do you see different types of style, for example: style that you would definitely connect with Louis XIV and Versailles and other types of style that are very different to Louis XIV's style? You might like to think about prom attire vs. what you wear on an everyday at school for instance, or what you'd wear to an interview vs. what you wear to go
French Civilization True Edith Piaf True True True Louis XIV a Berlioz Debussy Ravel Satie True Josephine Baker Django Reinhart & Stephane Grappelli Johnny Hallyday MC Solaar Francoise Hardy Serge Gainsbourg Pulsar Khaled Louis XIV Racine -- Phedre, Corneille -- Le Cid, Moliere -- Tartuffe False True Moulin Rouge, Folies Bergeres Beckett, Ionesco Avignon Lully Carmen -- Bizet Orphee en enfers -- Offenbach Pierre Beauchamp recorded the first five classic feet positions of ballet Coluche Debbouze Joly We watch this to see what a corporate American remake of a French story might look like. We don't learn much from watching this film, at least