This paper examines whether Shakespeare's Othello qualifies as a tragedy according to Aristotle's definition in the Poetics. It begins by outlining Aristotle's key criteria for tragedy — including catharsis, peripety, hamartia, character construction, and plot unity — drawing primarily on Oedipus as the classical example. The paper then applies these criteria systematically to Othello, assessing the play's plot structure, hero, and emotional impact. It finds that while Othello largely satisfies Aristotle's conditions for character and emotional effect, its complex, multi-stranded plot falls short of the taut, unified cause-and-effect structure Aristotle prescribed. The paper concludes that Othello succeeds as a tragedy in the modern sense and comes very close to fulfilling the Aristotelian definition.
Aristotle defines tragedy as the imitation of an action that is serious and possesses a certain dramatic and complete magnitude. In his own words, tragedy is:
"A form of drama exciting the emotions of pity and fear. Its action should be single and complete, presenting a reversal of fortune, involving persons renowned and of superior attainments, and it should be written in poetry embellished with every kind of artistic expression." (Poetics, Part IX)
Aristotle saw tragedy as a simulation of an event that aroused pity and fear in the individual and, by doing so, served as a form of catharsis through which the individual could identify with the plot and feel a certain purging or relief (VI.2).
It is this sense of purging that most distinguishes tragedy from comedy or the epic, in that tragedy alone possesses the emotions of fear and pity and therefore has the power to rid the reader or audience of corresponding tension (Gellrich, 1988).
"Hero construction and audience identification"
"Othello's plot and hero measured against Aristotle"
Aristotle. (1970). Poetics. University of Michigan Press.
Gellrich, M. (1988). Tragedy and theory: The problem of conflict since Aristotle. Princeton University Press.
Shakespeare, W. (2008). The Norton Shakespeare. W. W. Norton.
Shakespeare, W. (1988). Othello. Bantam.
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