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Broadway
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What is Broadway?

Broadway sits at the intersection of art, commerce, and culture, making it a compelling subject across business, humanities, and performing arts courses. As one of the most commercially significant entertainment industries in New York and the nation, it raises questions about production economics, audience development, and the cultural marketplace. Students examine how musicals and plays function not only as artistic works but as business ventures shaped by investment, marketing, and popular demand. The recurring presence of musical theater and cultural event analysis in coursework reflects how Broadway serves as a lens for understanding broader social and economic forces.

The papers archived on this topic approach Broadway from several directions. Some focus on musical analysis, using specific pieces and their featured refrains to explore composition and meaning. Others take a cultural studies angle, treating plays and musicals as reflections of national life and identity, including the progress of African American voices in performance, as seen in work touching on figures like Amiri Baraka and texts like A Raisin in the Sun. Humanities-based assignments often involve direct engagement with live performance through cultural event analysis, grounding abstract concepts in real theatrical experience.

A strong essay on Broadway should establish a clear thesis about what a particular play, musical, or industry trend reveals — whether about business strategy, cultural representation, or artistic form. Evidence drawn from the work itself, such as structure, refrain, and purpose, tends to carry more weight than general observations about theater. The most common pitfall is treating Broadway purely as entertainment history without connecting it to the specific analytical framework the course requires.

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Paper Masters
Pearl Gibbs: Aboriginal Rights Activist and Political Leader
Pearl Gibbs was actively involved in the setting up and running of a number of formal bodies such as the Aborigines Progressive Association and the Australian Aborigines' League. Pearl fought for Aboriginal representation on the Aborigines' Welfare Board and was appointed to this Board herself in 1954, the first woman to receive such an appointment. Her lifelong work for justice and citizenship rights for her people is perhaps especially striking considering that she could have passed as a white woman.
Research Paper Doctorate
Stem Cell Research: Benefits, Debates, and the Path Forward
¶ … stem cell research and its future. The writer explores the history behind the research and then opens the debate on both sides, giving the reader the pros and cons from the vantage points of those who are involved…
Essay Doctorate
How the Grinch Stole Christmas: Anti-Hero Archetypes
The paper analyzes elements of the film "How the Grinch Stole Christmas." (2006) The paper examines elements of the film production as a means to evaluate the film's efficacy. Prior versions of the narrative are included as part of the analysis and evaluation. The paper further contends that the Grinch is an archetypal anti-hero, such as the Dickensian, Scrooge.
Paper Undergraduate
Tolkien and the Literary Canon: Case for Canonical Status
Is J.R.R. Tolkien a canonical writer? This depends, of course, on how we define canonical status -- or indeed who we acknowledge as our arbiter of canonicity. I will begin by noting the whiff of sanctimony in the very…
Paper Doctorate
Berlin and New York City: Art, Culture, and Urban Identity
This paper examines Berlin, Germany and New York City, New York during the end of the nineteenth century and the beginning of the twentieth century. Art that came out of the different cities showed the psychological and sociological differences of the cities. German artwork was more focused on the people while American art looked at the accomplishments of people in architecture and other forms.
Paper Doctorate
Auteur Theory Challenged: Allen, Mamet, and Postmodern Film
A postmodern film studies critique of Woody Allen's 1994 film Bullets Over Broadway and David Mamet's 2004 film Spartan. The paper seeks to approach each film in terms of the auteur theory, by noting that each has a writer-director who has scripted a film with a single protagonist. The nature of Allen's identification with his playwright protagonist, and Mamet's identification with his Special Forces op protagonist, is questioned in terms of how each film examines questions of violence and duty. Postmodernism is invoked in the conclusion to show that the modernist desire to insist upon stable meaning can easily be deconstructed: David Mamet's film could be taken as an invitation for military men to place conscience over duty, leading Mamet to a conclusion where his story could be used to justify the actions of someone like Bradley Manning.
Research Paper Doctorate
Music Censorship in Rock and Rap: History and Impact
Censorship Under the Guise of Protecting the Children
Research Paper Doctorate
Walker Evans: Life, Work, and Documentary Photography Legacy
The emergence of non-commercial still photography, in the form of an art is comparatively recent that may probably be dated from the 1930s. Just as poets use similar language as journalists, lawyers and curators, in the…
Research Paper Doctorate
Costume Design in Four Productions of Othello
Designing costumes for Othello, in whatever form -- play, ballet or opera, presents a few problems from the outset. First, of course, is the necessity for the costume to enhance the feeling of paranoia of Othello, a…
Thesis Doctorate
Stephen Schwartz: Composer and Lyricist of Stage and Screen
Stephen Schwartz is a composer and a lyricist for musical theater in the United States. He has worked in that capacity for more than 40 years. Many people are familiar with his work, even if they have not heard of his…