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Genres
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What is Genres?

Genre is a foundational concept across many academic disciplines, including literary studies, cultural studies, film criticism, education, and the social sciences. It refers to the categories and conventions through which creative and analytical works are organized, produced, and interpreted. Students write about genre because it offers a systematic way to examine how form shapes meaning — how the rules governing a horror film, a detective story, or a classical myth influence the way characters act, how a story unfolds, and what emotional or intellectual response an audience is expected to have. Genre study also raises broader questions about culture, identity, and historical change, making it relevant far beyond introductory literature courses.

The papers archived under this topic reflect a genuinely wide range of approaches. Some take a comparative angle, setting works or traditions side by side — contrasting hard-boiled detective fiction with the Golden Age variety, or weighing the influence of Shakespeare against mathematical logic in a single text. Others adopt historical or developmental frameworks, tracing how expressive culture evolves across periods or communities, as seen in papers on African American influence in American popular music or Native American expressive culture. Literary analysis of specific authors and works — Gabriel García Márquez, Ezra Pound's engagement with Noh drama, Shakespeare's A Midsummer Night's Dream — grounds abstract genre questions in close reading.

A strong essay on genre needs a focused thesis that connects formal conventions to a specific interpretive argument rather than simply cataloging features. Evidence drawn from the works themselves — particular scenes, narrative choices, stylistic patterns — carries more weight than broad generalizations. The most common pitfall is treating genre as a fixed container; the strongest essays recognize that genres evolve, overlap, and actively shape the meaning of individual works.

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Essay Masters
Television's portrayal of the idealized American family in the 1950s and 1960s
This is a paper on analysis of Television's depiction of American family in the 1950s and 1960s. It looks at the various programs that were available during that period and how these programs were used to depict the American as peaceful, progressive, and also how the TV shaped the American families to love the easy way to knowledge
Paper Undergraduate
The importance of language arts in modern education
There is a trend among some colleges and universities recently to cut back or eliminate their humanities major and courses, which includes language arts as well as history and philosophy.
Research Paper Doctorate
Conflict and drama in the Iliad and Greek tragedy
Drama as a literary form and as a performance art was created in ancient Greece, coming to full fruition in the fifth century B.C., the era that produced works like the Phoenician Women by Euripides.
Research Paper Doctorate
The global popularization and spread of anime across international audiences
Anime is, in essence, the Japanese form of animation. In general, it is characterized by extremely stylized and colorful graphics, and the use of vivacious and vibrant colors. The graphics used depict energetic and…
Research Paper Doctorate
How electronic music evolved from ancient hydraulic organs to modern technology
¶ … musical genres. The research includes various examples of formats like Rap, Techno, Disco and other musical outreaches. By examining the likes of these various genres, we can get an insight into society's trends at…
Paper Undergraduate
Christopher Nolan's cinematic techniques and psychological themes
The British-born director Christopher Nolan brings a very specific essence to his films. One can trace it from Memento (2000) to Insomnia (2002) to Batman Begins (2005), the Prestige (2006), the Dark Knight (2008), and…
Paper Masters
John Frankenheimer's visual style and thematic preoccupations in cinema
John Frankenheimer began his career in the early days of American television in 1954 and directed over 150 television shows before going to the cinema in 1961. The quality of his major films is to take the viewer in the gut with powerful images and often indelible, imposing his own vision of the subject as indisputable evidence. (Kellner, pp285-305) He is not afraid to shock or provoke violent reactions in the audience and whatever the type of work it performs (small or large production). (Mitchell, pp41-54) To do so, his production is always the result of a lot of work in which he set up structures to complex camera movements bold and never free, which combined with his knowledge of the assembly allows him to surprise and 'hook the audience like few filmmakers are able. (Grice, pp144)
Paper Undergraduate
The discipline and craft of effective rewriting
¶ … guts to cut -- It may be that you, too, are capable of making necklaces for Cleopatra, so to speak. But your eloquence should be the servant of the ideas in your head. Your rule might be this: If a sentence, no…
Paper Doctorate
Dystopian capitalism and dehumanization in Repo Men
Repo Men (2010) is a postmodern science fiction/horror film set in the not-too-distant future in which technology has developed to the point where life extension through the use of artificial organs has become…
Paper Undergraduate
Music's role in twentieth-century civil wars and freedom movements
Music of Civil Wars, Civil Rights & Freedom Movements of Europe, Africa along with North and South America during the 20th Century