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Ghost Story
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What is Ghost Story?

Ghost stories occupy a significant place in literary studies, appearing in courses on Gothic literature, American literature, Victorian fiction, and psychoanalytic criticism. The genre is academically compelling because it sits at the intersection of psychology, cultural anxiety, and narrative ambiguity — forcing readers to question the boundary between reality and supernatural apparition. Henry James's The Turn of the Screw is a central text in this area, as are works by Edgar Allan Poe, Charles Dickens, William Faulkner, and Mary Shelley, each of whom uses supernatural or uncanny elements to explore deeper social and psychological tensions.

Student papers on this topic tend to approach ghost stories through psychoanalytic and feminist frameworks, particularly when examining The Turn of the Screw and its unreliable governess narrator. Papers also apply literary criticism to Shelley's Frankenstein and analyze how authors such as Faulkner in A Rose for Emily and Washington Irving use haunting as a metaphor for history, memory, and repression. Comparative and cultural approaches appear as well, tracing how ghost story conventions move between canonical literature and popular culture.

A strong essay on this topic requires a focused thesis about what the supernatural represents within a specific text rather than treating ghosts as mere plot devices. Evidence drawn from close reading — narrative perspective, the credibility of the observer, and the ambiguity of apparitions — tends to carry the most weight. The most common pitfall is summarizing the supernatural events without arguing what they reveal about character psychology, social ideology, or the limits of rational interpretation.

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Research Paper Doctorate
Mary Shelley's Frankenstein and the influence of her family relationships
Mary Wollstonecraft Godwin Shelley conceived her well-known novel, "Frankenstein," when she, her husband Percy Bysshe Shelley and their friends were at a house party near Geneva in 1816 and she was challenged to come up…
Research Paper Undergraduate
Veidemanis's teaching approach to Mary Shelley's Frankenstein
¶ … Veidemanis, a high-school English teacher in Oshkosh, Wisconsin and a well-known literary critic on British Literature of the 19th century, offers a number of very intriguing ways to teach Mary Shelley's classic…
Paper Undergraduate
Magical realism in Henry James and Laura Esquivel's works
Magical realism is difficult to describe. Some maintain that it is a distinct genre, others that it is a style that can be found in several different genres and periods of literature.
Paper Undergraduate
An explication of Edgar Allan Poe's "The Raven"
An Explication of Edgar Allen Poe's "The Raven"
Research Paper Undergraduate
Psychiatric follow-up study of Lord of the Flies survivors
Lord of the Flies -- William Golding's main, living protagonists, before, one year later, and into the farther future
Paper Undergraduate
Scrooge's moral transformation in Dickens' A Christmas Carol
Classical literature is classic because it contains a kernel of truth. In Charles Dickens' novel, A Christmas Carol, we find that the element of truth revolves around the nature of man.
Research Paper Doctorate
Hal Holbrook's portrayal of Mark Twain in performance
¶ … man shows media has ever produced and, in any case, the original product of the genre, Mark Twain Tonight! with Hal Holbrook had an estimated thirty million viewers tuned in on March 6, 1967
Research Paper Doctorate
Magical realism and memory in Toni Morrison's Beloved
This story works to capture the essence of slavery's aftermath for its characters. It tells a truth created in flashback and ghost story. It aims to create mysticism only memory can illustrate.
Research Paper Doctorate
Ambrose Bierce's supernatural stories and literary legacy
Ambrose Gwinnett Bierce (June 24, 1842- 1914?) was an American satirist, critic, poet, short story (horror) writer, editor, and journalist.
Paper Doctorate
The Coen Brothers' adaptation of Homer's Odyssey in O Brother, Where Art Thou?
Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou?