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Human Nature
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What is Human Nature?

Human nature sits at the intersection of philosophy, psychology, sociology, and the humanities, making it a subject that appears across a wide range of courses and disciplines. The central academic question is deceptively simple: what are people fundamentally like, and what drives individual and collective behavior? Because that question has no single answer, it generates ongoing debate. Works and figures as varied as Voltaire, Mark Twain's Adventures of Huckleberry Finn, Daniel Levinson's developmental framework in Seasons of a Man's Life, and Fritjof Capra's The Hidden Connections all surface in student writing on this topic, reflecting just how broadly human nature reaches across literary, scientific, and philosophical traditions.

Student papers approach the topic from several distinct angles. Some take a philosophical or comparative route, examining how thinkers like Voltaire frame human goodness or corruption against other ideological perspectives. Others adopt a historical lens, exploring how events such as the Origins and Rise of National Socialism reveal darker dimensions of collective behavior. Literary analysis appears as well, with texts like Huckleberry Finn used to trace ideas about race relations, innocence, and society. Additional papers engage developmental or psychological frameworks, spiritual formation, personality theory, and even utopian design, as seen in discussions of Walden Two.

A strong essay on human nature requires a focused, arguable thesis rather than a broad survey of everything humans do or feel. Evidence drawn from a specific text, historical case, or theoretical framework carries far more weight than vague generalizations. The most common pitfall is treating "human nature" as self-evident — the essay must define what conception of human nature it is actually examining and then test that conception against concrete evidence.

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Billy Collins's vision of poetry in ordinary domestic life
Sailing Alone Around the Room: An exiting adventure and exploration of the 'ordinary' poetic genius of Billy Collins
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Kate Chopin's personal experiences reflected in "The Awakening"
Art has often been recognized as an expression of either personal or collective experiences. Whether we are talking about music, painting, literature, these have always represented means for artists to deal with certain challenges in their life. It is within human nature to express externally that which is inside. Thoughts that lurk within the human mind, feelings which reveal themselves out of the blue, perhaps at times merely representations of personal perception, these have always been the focus in art and the object of critique attention. Of all the forms of expression out there, perhaps few inoculate a more beautiful feeling of "universal longing," such as F. Scott Fitzgerald pinned the expression, as literature does. More than anything, it is through literature that we become vigilant observers of how artists are influenced in their art by the experiences they come across. In the following, we will be addressing specific writers in an attempt to observe how certain personal experiences have reflected in their work as a solution to internal struggle.
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Celia Rees' Pirates: female perspectives on piracy and slavery
When it comes to books that present themselves autobiographical, the question in issue is whether or not people show an interest. However, Celia Rees' Pirates! is, what is called, a fictional autobiography.
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The hypostatic union and the dual nature of Jesus Christ
The question of the nature of Jesus has plagued the Christian community from the inception of Christ into the world. The Jewish community was the first to be confused by the deity of Jesus.
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Transformations in Christianity from early church to modern practice
¶ … organized religion today has become an issue of controversy. Human intelligence and technology have developed to the point where it is difficult to find a spiritual foothold. This is perhaps why materialism has…
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Bergson's theory of laughter in Dr. Strangelove
This paper analyzes Kubrick's film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. It examines it from the perspective of Henri Bergson's theory of comedy and explains why Strangelove is funny, what makes it work, what comedy is, and how Bergson's theory of comedy applies to the film.
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The prodigal son parable and human rebellion against God
The parable of the prodigal son in the Gospel of Luke is one of the seminal Biblical tales. In it, the father of two healthy sons divides his wealth and property equitably between them, and later willingly allows the…
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Personal reflections on prejudice and cultural diversity in Los Angeles
Things I encounter in L.A. impress a certain knowledge on me -- but I also carry with me a kind of wisdom that helps me interpret what I see. While the fact that people of certain ethnicities tend to stick to their own…
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Chaucer's General Prologue and the spring pilgrimage theme
An Analysis of Chaucer's General Prologue
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Potapchuk's analysis of unsuccessful community collaboratives and solutions for success
Community Collaboratives and Conflict Management