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Superstition
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What is Superstition?

Superstition sits at the intersection of psychology, philosophy, anthropology, and cultural studies, making it a compelling subject across a wide range of undergraduate courses. At its core, the topic asks how and why human beings form beliefs that persist without empirical support, and what those beliefs reveal about the relationship between reason and reality. Its academic interest lies partly in its universality — superstitious thinking appears across cultures and historical periods — and partly in the philosophical tension it creates between rational argument and lived experience. Courses in philosophy, sociology, and the humanities regularly prompt students to examine how belief systems are constructed and why certain ideas resist being removed even when challenged by evidence.

The papers archived under this topic take several recognizable approaches. Some are persuasive, building arguments for why superstitious belief should be taken seriously as a reflection of genuine human experience. Others are more analytical, using philosophical frameworks to probe the line between superstition and accepted cultural practice. A number of essays treat superstition as a case study in how past traditions shape present thinking, drawing on broader questions about how societies construct and maintain shared beliefs over time.

A strong essay on superstition begins with a clearly scoped thesis — arguing a specific position about belief, reality, or the social function of superstition rather than simply describing examples. Evidence drawn from philosophical reasoning, cultural analysis, or well-documented case studies carries the most weight. The most common pitfall is conflating description with argument: cataloguing superstitions without connecting them to a larger claim about why they matter or what they reveal about human thought.

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Research Paper Undergraduate
Shelley's defense of poetry against charges of immorality and didacticism
One of the foundational defenses within Percy Bysshe Shelley's A Defense of Poetry is that poetry cannot be judged as if it were a moral statement by its author. Shelley demands that poetry of the past and present not…
Paper Doctorate
Divination and feng shui practice in the Song Dynasty
During the Song Dynasty there was a major Confucian revitalization. Confucianism, though it had changed over the couple hundred of years since Confucius's time, still played an important part in society, in family…
Research Paper Doctorate
Social class and race in Hard Times and Huckleberry Finn
Literature is a reflection of the world of the writer, not only as he or she sees it but often as it is. The writer experiences the world as if he or she is an observer and feels compelled by some unknown force to…
Paper Masters
Religious hypocrisy and mob mentality in Hawthorne and Jackson
Throughout his career, Nathaniel Hawthorne remained concerned about the hypocritical nature of puritan life. Stories like "Young Goodman Brown" darkly satirize religious fundamentalism and mob mentality. Shirley Jackson also uses dark humor to satirize religion and small town American life. Both Shirley Jackson's "The Lottery" and Nathaniel Hawthorne's "Young Goodman Brown" elucidate the theme of mob mentality in America by exposing the sinister side of religion.
Research Paper Undergraduate
Freedom and individuality versus totalitarianism in Brave New World and 1984
Freedom, Individuality, And Totalitarianism in Brave New World and 1984
Research Paper Undergraduate
Satire and scientific knowledge in A Connecticut Yankee in King Arthur's Court
Connecticut Yankee in King Arthur's Court: Sustained satire in American literature
Research Paper Undergraduate
Christian dystopia in Greene's "The Last Word" and Dostoevsky's "Notes from the Underground"
Christian Dystopia in Graham Green's "The Last Word" and Dostoevsky's "Notes from the Underground"
Research Paper Undergraduate
Plato's allegory of the cave and Descartes's rationalism
Allegory of the Cave" in Book VII of Plato's Republic
Paper Undergraduate
Lord of the Flies characters and their symbolic roles
Lord of the Flies ONE: Main characters, setting, plot, exposition, rising action, climax, falling action, resolution. The four main characters The main characters – Ralph, Piggy, Jack and Simon – play critically important roles in the novel, and each has a pivotal part in the plot and the exposition. Ralph is presented as the organized person, the athletic and productive person among the group. Ralph is a good-looking boy, better looking than the others and yet he is the quintessential average English boy. Ralph had pretty good spoken language skills, but when things get stressful, he can't always find the correct words to express what needs to be said. On pages 101-102, for example, Ralph was approaching the boys, who were assembled for one of their meetings; "…he went over the important points of his speech… he lost himself in a maze of thoughts that were rendered vague by his lack of words to express them." Early in the novel Ralph is incredulous at the barbaric behaviors of some of the boys, but later in the novel he gets swept away by the frenzied dancing related to the hunting of a boar and the killing of Simon.
Paper Undergraduate
Strindberg's Miss Julie as inverted Cinderella myth
The Swedish naturalist playwright August Strindberg's play Miss Julie has been described as a kind of Cinderella story in reverse, or an inversion of typical fairytale roles (Templeton 470).