Cathedral - Raymond Carver About the author An American writer Raymond Carver has been writing stories on a smaller emotional scale for few years that creates same effects. Mostly his story settings contain American towns, semi-industrial, which are mostly depressed. However, his characters, working-class loners fighting for speech, from time to time find work as factory hands and waitresses, while his actions in the stories slip across the troubles of every day

Cathedral Raymond Carver's short story "The Cathedral" develops the theme of seeing the world clearly by using rich symbolism, irony, character development, and a postmodern tone and style. The blind man represents an unconventional mode of perception. Without a fundamental sensory input, the blind man relies on alternative methods of acquiring information and especially of interacting with others. His sightlessness at first bothers the narrator, but by the end of the

Raymond Carver When one is seeking a bright, cheerily optimistic view of the world one does not automatically turn to the works of Raymond Carver. The short story writer - whom many critics cite as being the greatest master of that form since Ernest Hemingway - filled his pages with anger and discontent, despair and loss, desperation and the demons of addiction. The overall tone of his work is certainly dark.

Raymond Carver is a writer who is known for a distinct style and also for distinct themes. The style is what is usually refers to as 'minimalist.' The themes common to his stories include the basics of life and people's struggles. What is most significant about his subjects is that they are not significant. Rather than focus on anything obviously meaningful, Carver focuses on the realities of the average life,

career - how do his late stories differ from his early stories? RAYMOND CARVER'S WORK Raymond Carver wrote from the time he was a young man until his death at 50 in 1988. He wrote of his own experiences as an alcoholic, young father, and blue-collar worker. His writing was always classified as postmodern, however, as with most authors, his writing changed from his early work to his later works. "The

The choice cannot be repudiated or duplicated, but one makes the choice without foreknowledge, almost as if blindly. After making the selection, the traveler in Frost's poem says, "Yet knowing how way leads on to way/I doubted if I should ever come back" (14-15). And at the end, as one continues to encounter different forks along the way, the endless paths have slim chance of ever giving the traveler