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Because the father sees his death as attached to the coming to life of the son, the son's life is also representative, or so the author claims, of the father's return to life, and even his immortality. The logical leaps required to make this claim are legion. First, it must be assumed that the father sees his son's life as a continuation of his own because the son's life caused (through requiring sacrifice) the father's death. This is akin to saying that if a car runs over and kills a cat, the car -- as the agent of death -- somehow takes on the life of the cat. The coincidence of causation is not enough, to most minds, to imply a continual relationship of the sort ascribed to fathers and sons here. The author of this tract goes even further, though, not only asserting that this relationship will be automatically perceived by the father, but that it actually exists, without offering a shred of metaphysical argument beyond referring to Plato. He then emphasizes that the individuals that make up a relationship -- in this case, the father and the son -- are not real, but rather that...
The question of how the relationship can exist without individuals to share it is not really addressed. The idea that the relationship defines the individual more than vice versa is not new, but it has never seemed incredibly rational, either -- no one is a member of only one relationship; even at a specific moment we are sons/daughters, mothers/father, lovers, students, teachers, philosophers, employees, etc., etc., etc. Though the immortality and divinity attributed to relationships here is nice, it is hardly the result of a logical train of thought.
Many modern dialectics take the same self-affirming approach seen here, rather than the skepticism found in Renaissance and even Socratic philosophies. This skepticism was a much more productive way of going about things; having to prove things by constantly doubting them is more difficult, certainly, but only because it demands more rigor when claiming something as truth. Dialectics are only effective when employed with a measure of doubt;, which is not the case here.
Lewis Relativist said, 'The world does not exist, England does not exist, Oxford does not exist and I am confident that I do not Exist!' When Lewis was asked to reply, he stood up and said, 'How am I to talk to a man who's not there?'" (Schultz, 1998) Lewis: A Biography This quote shows how, in truly CS Lewis style, the writer took the everyday questions about religion and faith, tacking them
Gnosticism Early Christian polemicists such as Clement of Alexandria, Justin Martyr, Irenaeus of Lyons, and Tertullian all attacked Gnosticism as 'heresy' and until the 20th Century virtually nothing was known about it except in the distorted texts they had written. Their purpose was to construct the boundaries between what later became 'orthodox' or 'catholic' Christianity in opposition to Judaism, paganism and carious Christian 'heresies'. Until the fourth and fifth centuries, however,
Edward bond's lear vs. shakespeare's king lear Political Potential Influenced by Betrolt Brecht Plot: Beginning of Transformation Marxism in Lear Governments into Power Christike Political Figure Governmental Autocratic Attitudes Epic Theatre: Political Effect on Audience Patriarchal Constraints Cultural Power Political Repercussions edward bond's lear Vs. shakespeare's king lear Lear was a play that was produced back in 1971 and it was not just any play. Lear had three-act and it was created by the British dramatist Edward Bond. Many considered it to be
Euthyphro, Socrates questions Euthyphro about his proposed course of action concerning his father. Explain in detail the reason given by Euthyphro. "In the Euthyphro, where Socrates and Euthyphro wrestle with the concept of holiness, the substantive part of the conversation begins with the typical Socratic question: 'Tell me then, what do you say that holiness is, and what, unholiness?'" (5c)" (Navia 102). In the dialogue, the self-proclaimed pious Euthyphro is
From this came our insistence on the drama of the doorstep" (cited by Hardy 14-15). Grierson also notes that the early documentary filmmakers were concerned about the way the world was going and wanted to use all the tools at hand to push the public towards greater civic participation. With the success of Drifters, Grierson was able to further his ideas, but rather than directing other films, he devoted his time
Figure 1 portrays three of the scenes 20/20 presented March 15, 2010. Figure 1: Heather, Rachel, and Unnamed Girl in 20/20 Program (adapted from Stossel, 2010). Statement of the Problem For any individual, the death of a family member, friend, parent or sibling may often be overwhelming. For adolescents, the death of person close to them may prove much more traumatic as it can disrupt adolescent development. Diana Mahoney (2008), with the