In this area, meanings with their endless referrals evolve. These include meanings form discourses, as well as cultural systems of knowledge which structure beliefs, feelings, and values, i.e., ideologies. Language, in turn, produces these temporal "products." During the next section of this thesis, the researcher relates a number of products (terminology) the film/TV industry produced, in answer to the question: What components contribute to the linguistic aspect of a sublanguage

American Jews in Film Narration is an old age tradition that has helped for centuries in protecting the tales and stories of humans and carrying it forth from one generation to other. Where before the tradition carried forth in an oral manner, today the mediums for these narrations have changed drastically, and have moved on from oral traditions to written and even visual mediums. These mediums, which include, Newspaper, books, Radio,

Road to Guantanamo The docudrama, the Road to Guantanamo, the 2006 film by Matt Whitecross and Michael Winterbottom provided a unique look at the complexities and difficulties of enforcing international cooperation. This thrilling tale of the now famous "Tipton Three" British men of Pakistani and Bangladeshi origin who, through a combination of poor decision-making and violations of international law, allows the viewer to examine these modern problems using the war on

Silent Film And How Critical Reception Shifts Over Time The objective of this study is to examine the film Das Cabinet Des Dr. Caligari or 'The Cabinet of Dr. Caligari" and to examine silent film and how critical reception shifts over time. The film Das Cabinet Des Dr. Caligari or 'The Cabinet of Dr. Caligari" echoed the German psychological warfare that had been waged against the people by Hitler and throughout the

Technology and Film Almost from its inception, the idea of the relationship between the individual and technology has been part of an evolving paradigm. While this new technology brought entertainment to the masses, technology itself as often the subject of early films which explored the idea of whether technology was a tool for humans to use, or a foreboding tyrant that both dehumanized and attempted to control both the individual and

War Films Taking Jeanine Basinger at her word would leave us with far fewer war films than we think we have. Basinger is a 'strict constructionist,' accepting as war films only those that have actual scenes of warfare (Curley and Wetta, 1992. p. 8; Kinney, 2001, p. 21). That means that the four films that will be considered here, and especially the two World War II films, are not war films.