Furthermore, the odd horn that made the unicorn seem "freakish" (1018) is no longer an issue. When Laura realizes this, she also realizes that the things that make her seem like a freak to others may not be so significant, either. The time she spent with Jim allowed her to see that what makes her different might not be such a bad thing after all. She even tells Jim that with a broken horn, the unicorn "will feel more at home with the other horses" (1018). This statement reinforces Laura's change.
The broken unicorn also symbolizes how Laura must deal with the possibility of remaining single. The broken unicorn could very well be her broken heart. These things break, and when they do, they are rarely the same again. However, this is the way of life. We grow, we become attached to others, and we get hurt. Laura realizes this with the unicorn and with herself. This realization causes Laura to emerge as the strongest character in the play.
Another symbol Williams uses in the play is the rainbow. Rainbows are generally seen as beacons of hope and it is no different in the Glass Menagerie. Williams scatters bits and pieces of a rainbow's hope to emphasize that hope is important. For example, after the Malvolio show, Tom returns with a scarf in rainbow colors that is somewhat magical in that if it is waved over goldfish, they will "fly away canaries" (983). Here we see Williams linking this scarf to Tom's desire to fly away from his current situation. At the end of the play, Tom meanders in the streets and strolls by a window that encases pieces of colored glass, that impress him as "bits of a shattered window" (1025). His thought...
As we have already mentioned, the mood and tone for moral corruption in New York City was prime in the 1920s and while it may seem there are the rich and the poor, class distinction among the rich plays an important role in the novel. Gatsby's success will only carry him so far because of a dividing line that exists between the new wealth and the old wealth. This
To make matters worse, he never even considers that he might not be as good as he thinks so he never seriously considers doing anything else. Willy does not know when to cut his losses and let go. Charley gives us an accurate description of Willy when he says, "For a salesman, there's no rock bottom to the life. He don't put a bolt to a nut, he don't
Rather than opening her arms to all those who yearn to breathe free, the main reason that Rosa and Enrique come to America, America more often than not proves to be a dead-end street. A particular effective use of point-of-view in the film regarding America is manifest in how America is first seen by the main characters. America is not a place of beauty but the tunnel the brother and
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Given that archetypes appear consistent across dreamers, the impact that culture has on the meaning of archetypes and dreams, and the fact that mourners consistently have the four types of grief dreams, it seems logical that culture would impact the appearance and interpretation of archetypes in dreams. For example, given that, culturally, the mother plays a more central role in the African-American family than the father, it would seem that
It was necessary for the returning men to feel that they were coming home to resume their pre-war social roles. Roles that were governed by the rules of a patriarchal society that had changed by way of the roles women assumed in American society while men were away at war. Women became the decision makers, the bread winners, and the family mangers in a way that is portrayed as
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