Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
She is good, and in contrast, Joe surrounds himself with bad and self-destruction. Lena shows the opposite side of humankind, the good and decent kind that can cause people to change their minds and their lives.
Hightower on the other hand, represents all that is wrong with the human condition and its reliance on religion. A pious man, he is still a violent and confused man who lives in isolation because of his scandalous past. He too has chosen revolt and solitude, rather than responsibility. However, he takes responsibility for his wife's death near the end of the book, and leaves the reader feeling that he is redeemed, and will die at peace with himself, and with his God. Hightower illustrates there is hope for just about everyone, while Christmas, who never really seems to recant his life, shows that in some, a life of violence and revolt is the only thing they know or understand. Joe is a victim and can not rise above this status, while Hightower has been a victim but recants in the end. Faulkner writes...
Hightower must face his own demons and does, while Joe is self-destructive to the end.
In conclusion, each of the main characters in this novel are symbols of the human condition. They are miserable, troubled, harassed, and lonely, and they each symbolize the many trials and tribulations humankind faces every day. Humans must make sense out of their existence by choosing solitude and rebellion, or responsibility and camaraderie. What they choose and how they choose it says as much about them as their lives themselves do, and these characters, with their harsh lives and dull acceptance of their fate illustrates the multidimensional and memorable characters Faulkner was so excellent at creating.
References
Faulkner, William. Light in August (Corrected Text). New York: Modern Library, 2002.
William James was a prominent psychologist and philosopher in the early 20th century. Presently, James' work is outdated, but only in the sense that Galileo's or Darwin's work is outdated. Both Darwin and Galileo were originators in their respective fields. Their work served as a basis for many incredible discoveries and innovations in the modern world. The work of James, too, serves as a foundation for modern science. He is
But the word haunted is the key word here, for his stories are never happy ones. They have authenticity, however, despite the sometimes bizarre happenings and sinister events. His characters think and talk like real people and experience the impact of poverty, racism, class divisions, and family as both a life force and a curse. Faulkner wrote in the oral tradition. His "writing shows a keen awareness of the
A race doomed and cursed to be forever and ever a part of the white race's doom and curse for its sins. Remember that. His doom and his curse. Forever and ever. Mine. Your mother's. Yours, even though you are a child. Being brought up this way taught Joanna to see blacks as objects. "I had seen and known negroes since I could remember. I just looked at them as
Hightower dubs Byron Bunch as "the guardian of public weal and morality. The gainer, the inheritor of rewards ...(ibid. 147)." He is religious and keeps a low profile in his Christian humility. Byron Bunch is portrayed in stark contrast to Mr. And Mrs. Hines, our old racists, This is in contrast to religious hypocrites like Mr. Hines that use religion to demean and downgrade from humanity another group of people so
American Lit Definition of Modernism and Three Examples Indeed, creating a true and solid definition of modernism is exceptionally difficult, and even most of the more scholarly critical accounts of the so-called modernist movement tend to divide the category into more or less two different movements, being what is known as "high modernism," which reflected the erudition and scholarly experimentalism of Eliot, Joyce, and Pound, and the so-called "low modernism" of later
This change is subtle but it is important because, with this change, Laura has the most hope from her brother or her mother. Tom speaks at the end of the play as he does in the beginning of the play. He has not evolved not has he experienced anything that deepens his character. He is still as lost as he was before. Amanda, too, remains unchanged at the end