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Although treated unjustly by her older sibling, Beneatha has begun to question her desire to become a doctor, and is considering trying to get more in touch with her African roots instead. She wants to fix things in a more meaningful fashion than merely physically.
The end of the play is bittersweet, because it is uncertain if the family will be happy in the all-white suburb, or safe, and because so many of the character's individual aspirations still remain unfulfilled. The type of dream endorsed by the play is the type of real dream that...
That is why the dream of a home is the most durable of all dreams, because Mama has fought for this dream for so long, and because her husband gave his life for the dream to become a reality. Walter's dream of a liquor store and even Beneatha's dream of becoming a doctor are also selfish, to some degree, while Mama's dream is for her entire household, and for the next generation -- dreams that sustain more lives than the dreamer, the play suggests, are the best kinds of dreams and the least likely to explode.
It is the last thing Mama carries out of the apartment when the family moves, symbolizing the family's failure to thrive in their neighborhood. Both the plant and the Younger family are expected to blossom in their new surroundings. Walter Jr. wants to use the money to buy a liquor store with his friends. He believes that owning a business will give the family the financial freedom that will make
Raisin in the Sun Beneatha is ahead of her time in a Raisin in the Sun, by Lorraine Hansberry A Raisin in the Sun by Lorraine Hansberry, Beneatha is the daughter of Lena Younger and younger sister of Walter Lee who is married to Ruth. Walter Lee and Ruth have a ten-year-old son Travis, who gets his way often being the only grandson. Beneatha is a college student who desires to attend
She misrepresents the proposal of marriage of Asagai and is unable to provide the man who loves her so much and who understand her well. The complex character of Beneatha demonstrates another hidden quality towards the end of the play. The confrontation of Walter with Mr. Lindner reveals the arrogant statement of Mr. Lindner, "I take it then that you have decided to occupy." The easiness of Beneatha's reply
.. Don't understand nothing about building their men up and making 'em feel like they somebody. Like they can do something" (Hansberry, I, i.). It is clear that Walter Lee still believes it is the woman's role to support the man in his endeavors, and not to make decisions or act on them. In her responses to him, Ruth displays her growing frustration with and rejection of this belief, which
As to Walter's decision to use the money as he saw fit, we find a man who's suffering and discontent had blinded him to the real sustenance and value in his family. Truly, for the unhappiness which he had bore, and for the racial abuse shown to the family through such archetypal figures as Mr. Lindner, Walter might have seen himself as fortunate for the presence of all the family
At the same time Bernice doesn't tell her daughter the history of the heirloom, in fear of waking the spirit. This means that even Bernice is not using her legacy positively, but is afraid of it. Both characters are able to embrace their history with pride by the end of the play, as Boy Willie comes to understand the Piano's significance and Bernice begins to play it again (Sparknotes.com) 3.