Rebellion Against Death "Do Not Go Gentle

¶ … Rebellion Against Death "Do not go gentle into that good night" may be considered Dylan Thomas's most recognizable and popular poems. First published in Botteghe Oscure in 1951, the poem later appeared as part of the collection called "In Country Sleep." Written for Thomas's dying father, the poem explores the theme of death and the resistance thereof.

Written as a villanelle in which only two sounds are rhymed, such as night/light and day/they, and containing nineteen lines, the poem rhymes the first and third lines, alternating the third line of each successive stanza and closes with a couplet. The villanelle was first utilized in English language poetry in the 19th century and draws upon French poetic models. Rife with undertones of rebellion, the opening line of "Do not go gentle into that good night" sets the tone for the rest of the poem.

Thomas urges his father, and the men referenced in the poem to fight against death, which is considered inevitable. Thomas encourages the fight against death stating "old age should burn and rave at close of day" and to not yield so easily (Thomas, 213).

Thomas further describes "wise men" who "at their end know dark is right" also fight against death and "do not go gentle into that good night." Thomas continues to describe "good men," "wild men," and "grave men," and regardless of what they did or did not accomplish in life, points out they "rage against the dying of the light" and fight death to the very end. "Do not go gentle into that good night" also exemplifies Thomas's fears of death and of losing his father.

While he describes how men of various backgrounds should fight death and aim to cling on to their lives, Thomas appears fearful of his father losing his battle against "the dying of the light." Thomas appears to plead with his father, urging him to "curse" and "bless" him with his "fierce tears;" Thomas's contradicting use of cursing and blessing may make reference to the alleviation of pain and suffering brought on by death as well as the grief that death inflicts on the surviving members of a loved one's family.

Though Thomas knows that death is a welcome relief to a suffering man, he cannot but be envious of death and wish to prolong the suffering of a dying man so that he may spend more time with him. These issues may point to Thomas's unpreparedness and his inability to deal with death at a personal level. Reference has been made to Thomas drawing upon themes of death as seen in John Donne's poetry.

For example, Donne's poem "A Valediction: Forbidden Mourning" appears to have inspired Thomas and begins, "As virtuous men pass mildly away,/And whisper to their souls to go,/Whilst some of their sad friends do say/The breath goes now, and some say, No" (Donne, 1075). The opening stanza of "A Valediction: Forbidden Mourning" parallels the tone of "Do not go gentle into that good night," mirroring the mutual desire for those at about to die to fight against death.

While Donne's poem focuses on the desires of those that are at a dying person's side, Thomas focuses on the individuals' personal desire to overcome death. It appears as though Thomas believes that the power to overpower death comes from within, and can be achieved through sheer will and determination. Furthermore, Thomas looks to inspire his dying father to fight, or "rage" against death, like so many other men have before him.

Inspiration for the rebellion against death can also be referenced in Donne's Holy Sonnet which begins with "Death, be not proud." While Donne refers to death as a "slave to fate, chance, kings, and desperate men," Thomas embraces the notion, further oppressing death and encouraging the mastery thereof (Donne, 1099). Thomas believes that death can be controlled if one's desire is strong enough. Instead of giving in to the established order of things and accepting death as a natural process, Thomas encourages his father to conquer death.

Death should only be accepted once the individual acknowledges that it is his time to die and willingly gives himself up. By showing the struggle between life and death, Thomas points out that no man ever willingly succumbs to their fate, but instead fights for their life, not because they have to, but because they want to. He acknowledges the differing motivating factors behind the men's reasons for wanting to fight, or stave off, death as long as possible.

Thomas does not state that death can be avoided altogether, but rather that death should be delayed as long as possible. Man no longer has to be "slave" to death, obeying his.