So in this sense, Yorick does seem very much like a tourist to me -- but at the same time, he also has a good idea of where he is and what he is doing and even knows people in the places he travels. For example, when he goes to see Maria in Moulines, whom Shandy describes in his book (Sterne 138), there is a sense that Sterne is really giving us an anecdotal sequel to some events that occurred in Tristram Shandy -- which is fine because a follow-up is always nice -- but some of the felicity with which a tourist should be expected to go about his travels is lost and the adventures of Yorick seem to be but a continuation of some previously begun narrative. In this sense, I found Yorick to diverge from my idea of a tourist -- especially since the scene really feels somewhat arbitrary and forced and is very quickly recounted: "Tho' I hate salutations and greetings in the market-place, yet, when we got into the middle of this, I stopp'd to take my last look and last farewel of Maria," writes Sterne (142) even though hardly anything at all has passed between Yorick and Maria. I felt like a real tourist might have made more of the encounter and stayed a little longer. No doubt the brevity of the meeting had something to do with Sterne's desire to conclude the novel quickly.
Q1: How did you react to A Sentimental Journey through France and Italy, on its own,…
Adams, Primrose and Yorick: A Comparison of 18th Century Church of England Clergymen One of the clearest features shared by Fielding's Adams in Joseph Andrews, Goldsmith's Primrose in The Vicar of Wakefield, and Sterne's Yorick in A Sentimental Journey through France and Italy is relentlessness that the characters demonstrate, as though by sheer force of will they may manage affairs to a happy conclusion. In spite of their sometimes obtuse qualities,